Results 61 - 75 from 1470 in „4K / 8K Arising”
At the 2018 NAB Show EVS introduced the latest live production server into its iconic XT range – XT-VIA. Having led the live replay market for two decades, the new server represents the most significant update to the XT series yet. XT-VIA lets facilities providers and content creators benefit from enhanced UHD-4K and IP operation as well as an integration with VIA - EVS’ new technology platform of modular services and workflow engines.
NEP Sweden is the latest division of NEP Europe, one of the continent’s largest providers of outside broadcasting (OB) services, to adopt Riedel Communications’ MediorNet real-time signal transport, processing, and routing technology. NEP Sweden is installing MediorNet on board its all-new UHD/4K OB van, UHD 1, to provide a decentralized and redundant communications and signal routing backbone for coverage of a broad range of high-profile live productions.
AJA Video Systems revealed the new IPR-10G-HDMI Mini-Converter, which converts SMPTE ST 2110 IP video/audio to HDMI. This new Mini-Converter allows broadcast, production, post and ProAV professionals to output SMPTE ST 2110 video/audio to HDMI monitors. AJA also introduced SMPTE ST 2110 support for its KONA IP via free Desktop Software v14.2.
Blackmagic Design announced ATEM Television Studio Pro 4K, a professional all in one Ultra HD live production switcher with integrated hardware control panel. ATEM Television Studio Pro 4K features 8 independent 12G-SDI inputs, built in Fairlight audio mixer, ATEM Advanced Chroma Keyer, multiview, auxiliary and program outputs, analog audio inputs, built in talkback, two flash based media players, professional creative transitions, a DVE for effects and more. ATEM Television Studio Pro 4K is available now from Blackmagic Design resellers worldwide for US$2,995.
After extensive research and testing of various encoding solutions, Bern-based telecommunications service provider, Swisscom, has selected Rohde & Schwarz to provide ultra high definition (UHD) encoding facilities for the upcoming Russia 2018 soccer championship.
NAB2018 (National Association of Broadcasters) convention will see the continued expansion of the FUJINON 4K HDR lens range from the Optical Devices Division of FUJIFILM. Fujifilm made the Development Announcement on Tuesday, March 27 in Japan of the company’s latest Premier UA Series of UHD 2/3” lenses, the UA46x9.5B and UA46x13.5B. A prototype will be shown at the Fujifilm booth (#C7225). NAB2018 will be held from April 9-12 at the Las Vegas Convention Center.
The agreement with SportA, the sports rights agency of German public broadcasters ARD and ZDF, grants the pay-TV operator the right to show the Match of the Day live in UHD on all tournament days. Financial details of the sublicensing deal were not disclosed. The Sky Sport UHD offer is available to all Sky subscribers in Germany who use the Sky+ Pro receiver and have an Ultra HD TV set.
At NAB2018 (booth C9815), Slomo.tv, a leading international producer of cost-effective, high performance SSD-based video record and replay systems, will launch the new Fulcrum AT/12G 4K instant replay server. Representing one of Slomo.tv’s most advanced replay server systems, this new platform offers operators 10 replay channels (four record + four search + two play). Highlighting its cost-efficiency, the company is offering Fulcrum for USD $60,000 during April 2018.
Panasonic’s AU-EVA1 is a great Super35 cine camera with excellent low light capabilities – winning wide-spread acclaim since its launch last year. Now users will be able to unlock the true potential of this amazing camera and its low noise sensor by combining it with the Atomos Shogun Inferno HDR monitor/recorder, thanks to the release of Panasonic’s free RAW output upgrade. The results take the camera to another level of performance, giving you images with maximum dynamic range in pristine quality.
Canon today announces the release of a medium, telephoto field box lens, the UJ66x9B, and three ENG/EFP broadcast lenses - the CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B. Launched under a completely new lens category, UHDgc, the models feature smooth operability, while maintaining high lens build standards.
Canon today releases its flagship full frame Cinema EOS camera, the C700 FF. Thanks to a newly developed, next generation Canon full frame 38.1 mm x 20.1mm CMOS sensor, the camera is capable of recording up to 5.9K, delivering ultimate creative freedom and quality. The EOS C700 FF also supports multi-format recording, shooting with EF, PL and anamorphic lenses. When using EF lenses, the C700 FF supports Canon’s innovative autofocus (AF) system, Dual Pixel CMOS AF, which is ideal for full frame format shooting.
Continuing to enable broadcasters and production companies to adopt Ultra HD (UHD) at their own preferred pace, Hitachi Kokusai Electric America, Ltd. (Hitachi Kokusai) today announced the CU-HD1300F-S1 HDTV camera control unit with 4K, 12G-SDI output. Transforming 1080p to Ultra HD with support for High Dynamic Range (HDR), the new CCU will be showcased alongside other HITACHI unveilings in booth C4309 at the upcoming NAB2018 (April 9-12, Las Vegas). The company also announced an optional firmware upgrade for its SK-UHD4000 4K Ultra HD camera system to enhance simultaneous HDR and Standard Dynamic Range (SDR) acquisition. New optional 12Gbps SDI output capabilities for the accompanying CU-HD4000 CCU have also been added to its existing quad-link SDI interface.
The media industry is taking a major leap towards an IP-centric future as growing market demand converges with rapid acceleration in standards, protocol and interoperability. Sony’s broadcast customers are increasingly embracing IP for its proven ability to deliver quality live HD and 4K video, audio and synchronisation signals through a single network cable and have identified IP Live Production Infrastructure in their top areas of commercial importance for the coming years.
Until now, the volume of raw data transmission required for 4K/UHD production has made wireless cameras largely impractical for live sport, event, and news applications. However, cameras equipped with DTC’s AEON-TX can now transmit 4K UHD video formats up to and including 2160p60 by taking advantage of the extremely efficient encoding technology built into the AEON-TX.
DTC Vice President, Broadcast Sales, JP Delport said, “AEON-TX is hugely cost effective because it substantially reduces bandwidth costs without compromising quality. It opens up new vistas for ultra-high resolution production.”
In September 2017 BBC Studioworks, a commercial subsidiary of the BBC, reopened its studio and post production facility at the world famous Television Centre, incorporating some of the most state-of-the-art technologies in the UK studio industry. The three studios as well as the facility’s edit suites have already played host to programming for a range of broadcasters and production companies.