Results 61 - 75 from 1528 in „4K / 8K Arising”
Sonoran Video Systems Announces Support for 12G-SDI Playback with AJA KONA 5 on Coyote S12G Playback Servers
Sonoran Video Systems announced support for broadcast-quality 12G-SDI playback with the integration of AJA’s KONA 5 PCIe I/O card within the Coyote S12G Playback Server.
Italian public broadcaster RAI will start broadcasting 8K content in 2020, starting with the Tokyo Olympics, making it the first broadcaster in Europe to use the technology. A preview of the broadcaster’s plans was made at a conference in Rome, during which several examples of productions in 4K and 8K were presented to the public.
AJA Video Systems today announced that post production software developer SGO has integrated AJA KONA 5 audio and video I/O cards into its full finishing and workflow solution Mistika Ultima, providing simplified and optimized 8K production for broadcast clients.Already deployed for live 8K broadcasts in Asia, the new Mistika Ultima 8K System provides a real-time finishing workflow for 8K Full UHD at 60p, even with uncompressed formats. It comprises an AJA KONA 5 card with 12G-SDI I/O connectivity, Mistika Ultima software, an HP Z8 workstation, a high performance SGO storage solution and other industry-standard hardware.
At NAB2019 Show slomo.tv will demonstrate the upgraded broadcast grade 4K server Fulcrum AT/12G with an increased number of channels for 3G/HD resolutions: support of 662 and 771 configurations in replay mode and up to 8 channels in recording for NLE! According to numerous clients’ inquiries slomo.tv significantly expanded the capabilities of the server and created a universal system for any task.
Nowadays no high-level sports broadcast can handle without Super Motion cameras. Therefore, all TV companies specializing in sports broadcasting and sports arenas face the issue of finding the optimal solution to «cover» their needs. The number of solutions - server + camera - for these purposes is limited in the market, and in most cases they significantly "hit" the budgets of companies.
Pop-up production and post best describe the flavor of services that FrameTrunk offers its clients. The UK-based company works with broadcasters, production companies and corporations to provide tailored solutions and on-site support for everything from ingest to editorial, cloud-based logging, live streaming, contribution and more. As more clients began to express interest in UltraHD, FrameTrunk revamped its live ingest systems with high-density AJA Corvid 88 video and audio I/O cards, which help manage multiple, high resolution input and output streams.
Sony will be upgrading the capabilities of its next-generation motion picture camera system, VENICE, by introducing High Frame Rate (HFR) shooting, advanced remote-control functionalities and Cooke/i3 and Zeiss extended metadata support, as part of its latest firmware update. Following the recent release of VENICE’s firmware Version 3.0 and the upcoming launch of its Extension System (CBK-3610XS), which was developed in collaboration with James Cameron’s Lightstorm Entertainment and is currently being used to shoot the AVATAR sequels, the latest upgrade will offer filmmakers even greater creative freedom, flexibility and choice.
Technology from Imagine Communications proved successful in an unusual challenge at Autodromo Nazionale di Monza in November 2018. Its systems power the new live Ultra HD production truck operated by Global Production, which took part in an extensive trial organised by Ferrari as part of its Ferrari Challenge World Final (1-4 November 2018). This trial determined who could deliver the most consistent and accurate live colour images across all resolutions — including, of course, Ferrari’s trademark
NEP Europe has selected Grass Valley, a Belden Brand, to enhance its capability with 75 IP-enabled 4K UHD HDR cameras and accompanying base stations. Strengthening its position as one of the world’s leading outsourced production partners, NEP has taken delivery of the new live production equipment for deployment across its fleet of OB trucks and studios.
At Huawei’s Global Mobile Broadband (MBB) Forum, the world’s first 4K esports live stream over 5G was delivered with a mast from mobile network Three, and a Blackmagic Design live workflow.
In the beginnings (1998-2005) Reckord co-operated with TV PRIMA, Česká televize (Czech television) and TV NOVA in the media coverage production. For TV NOVA Reckord provided live reports for the regional news broadcast „Právě teď“ („Right now“) from the Ústí nad Labem and Karlovy Vary regions. At the same time Reckord produced advertising films, DVDs, promotion spots and multimedia presentations. Since 2006 Reckord my company has specialized in providing services in the field of television transmissions and records as well as services associated with this field. In June 2012, Reckord bought the establishment “Přenosy ACE a.s.” and in 2017 the Polish company “MultiProduction z.o.o” was bought. Recckord has integrated these new production capacities into the structure of the company Reckord – outside broadcasting s.r.o.
AJA Video Systems is now shipping HDR Image Analyzer, a powerful real-time HDR monitoring and analysis solution developed in partnership with Colofront to help high dynamic range productions achieve more engaging visuals. HDR Image Analyzer features waveform, histogram and vectorscope monitoring and analysis of 4K/UltraHD/2K/HD, HDR and WCG content for broadcast and OTT production, post-production, QC and
Romanian broadcaster PRO TV, part of CME media and entertainment network, is the first European customer for Sony’s new HDC-3500 live production camera. PRO TV has invested in eight HDC-3500 camera chains that will be used for live entertainment and sports productions, working with HDCU-3100, the IP enabled Camera Control Unit. They also have chosen the PXW-Z280 and PXW-Z150 camcorders for their mainstream and local studio productions, alongside Sony’s dual channel UWP wireless microphone packages.
EVS, the leading provider of live production solutions, today announced that its XT-VIA live production servers have been purchased by NHK Media Technology (MT) and NHK Global Media Services (GMS), subsidiaries of NHK, one of the world leaders in higher-resolution content creation. Three of the latest servers from EVS have been integrated into a new 4K-OB1 mobile production truck as it’s rolled out for live UHD productions.
At Inter BEE 2018, AJA Video Systemswas exhibiting next-generation 8K workflows with a range of flexible real-world solutions that are available today.