Results 1 - 15 from 93 in „Production Facilities”
Ideal Systems provides media and audio visual related integration services for the broadcast, telecommunication, government, education and enterprise industries, using the latest and greatest technologies including cloud services, software development, consulting services and live event production and operation.
Abstract – Tasked with producing more live coverage with squeezed resources, broadcasters are turning to at-home/REMI (remote-integration model) production. Correctly implemented, at-home production can reduce the movement of people and equipment; increase the utilization of equipment; reduce on-site set-up times; and maximize the efficiency of production teams. Historically there have been three major challenges with at-home production; Latency and how to mitigate it; Control and how to extend workflows to the venue; Infrastructure and how raw signals are transported back to base. This paper will clearly explain how these issues are now solved by interconnecting and orchestrating distributed production resources over Wide Area Networks. Solutions partners Net Insight, Calrec and Grass Valley will explain in this paper how a shared technology approach is already providing broadcasters with a complete, proven and easy way to generate significantly more live content.
Say you’ve built up a name for yourself producing international live events. You’ve conquered new locations, traversed time zones in both directions, and dragged cables across the international date line on New Year’s Eve to party like it’s 1999. You’ve spent years traveling the globe with literal boatloads of cumbersome production gear. There’s still a world of live events and content out there to produce. How do you choose where on earth to go next?
Behind the project are Proximus group production company Skynet iMotion Activities (SiA), Videohouse Media Facilities, NEP Belgium and German technology pioneer, Lawo. With Proximus providing the network and SiA the TV facilities, NEP brings the technology and know-how from some of the worlds’ largest live and broadcast events from around the globe, and is one of the leading worldwide providers of outsourced production solutions. For its part, Videohouse is the only full service provider in Belgium offering a full range of audiovisual and multimedia facilities, both nationally and internationally. And it is Lawo’s IP Remote technology that is the key to the systems that make it all possible.
Mediacorp pioneered the development of Singapore’s broadcasting industry, beginning with radio broadcast in 1936 followed by television broadcast in 1963. As over-the-top media distribution evolved, the organisation embraced new technology and transmission methodology. Today, it is the leading Singapore-based media company covering the widest range of media platforms; spanning digital, television, radio, print and out-of-home media with over 50 products and brands in four languages (English, Mandarin, Malay and Tamil). The organisation’s recent move to Singapore’s ultra-modern media hub at Mediapolis@One-North instigated a new era of broadcasting, radio and online operations for Mediacorp.
tpc switzerland ag is the leading broadcast service provider in Switzerland, with extensive expertise in planning, creating and managing audiovisual projects. The company is focused on production for Swiss broadcasters, as well as live production of major national and international events for the Swiss and global markets. tpc manages TV studios, news operations and a fleet of OB trucks.
From the Oscars to the Olympics NEP provides the expertise, people and next generation broadcast IT facilities to help its clients develop and deliver the world’s biggest and best live broadcast events. Every day content creators, production companies, broadcasters and telcos rely on NEP’s managed services for OB, studio and cloud production; host broadcasting; and playout to reach their global audiences.
Celebro Media specialises in live production, providing studio space, galleries, uplink facilities, staff and everything required producing and transmitting live content. The rapidly growing studio facility has five studios at its central London location with further facilities in Moscow. By Autumn 2017, Celebro Media will have completed works on an additional five studios in London and two in New York. Also, its has recently begun trials of a new OB service that allows multi camera switching down a single transmission line. The service is currently being offered to international broadcaster on a trial basis.
Genelec, the pioneer in Active Monitoring technology, is celebrating nearly 40 years of designing and manufacturing active loudspeakers for true and accurate sound reproduction. Genelec is credited with promoting the concept of active transducer technology, which many manufacturers are just now incorporating into their products. Since its inception in 1978, Genelec has concentrated its efforts and resources into creating active monitors with unparalleled sonic integrity. The result is an active speaker system that has earned global acclaim for its accurate imaging, extremely high acoustic output from small enclosures, true high-fidelity with low distortion, and deep, rich bass.
ORF is the national broadcaster of Austria. Established in 1955, the television and radio broadcaster transmits across the country. With a strong focus on news, the broadcaster operated a series of small outside broadcast (OB) vans, mainly with audio programming capabilities, to deliver news from across the country. However, after over a decade in use, there was a strong need to update these vehicles and in doing so incorporate audio and video capabilities, as well as online newsgathering features. The new vans would incorporate internet, video, and radio production and IP-based streaming.
Systems integrator and coachbuilder TVC and outside broadcast production company Croatel continue their long lasting and successful relationship. Last year both companies embarked to build the UHD 4K OB van. This was the first 4K endeavour for both companies with numerous challenges and tough technical decisions along the way. Croatel OB5 UHD 4K has been in operations for a year already and lessons learned can now be shared with the broadcast audience.
Live production isn’t static – it never has been. Workflows and the processes they enable are constantly evolving. With the introduction of UHD-4K, the adoption of IP for the deployment of infrastructures and the roll out of workflows that support new, more immersive consumer-facing formats, outside broadcast facilities are facing more challenges than ever before.
The broadcast industry has been experiencing a tremendous transformation since the arrival of the Internet, and digital convergence has become a reality. The way media content is created, produced, distributed, shared and consumed has been undergoing a huge change. User’s habits have radically shifted and social media, as well as personalized services, have become popular. While traditionally broadcasting services were offered by specific organizations and companies with a well-established business model, currently the line between the traditional broadcasters and IT-based companies has blurred.
Construct a flexible and versatile production center and control room at space-constrained corporate headquarters with a new state-of-the-art technology foundation that will seamlessly evolve to meet future video consumption and business requirements
▪ Selenio™ MCP media processors with Uncompressed-over-IP (UCIP) modules
▪ Nexio+® AMP™ media servers
▪ EPIC™ MV multiviewer
▪ Magellan™ SDN Orchestrator control system
With the size and sophistication of regional-sports-network productions growing exponentially, Mobile TV Group continues to up the ante by rolling out trucks that can serve the rising production needs of RSNs just as well as a nationally broadcast college-football game. The latest generation of MTVG trucks is headlined by 41HDX, which is currently working Fox Sports college football after debuting earlier this year, and 42FLEX, a dual-feed, two -trailer HDR- and 4K-ready unit that debuted this month on AT&T SportsNet Pittsburgh’s Penguins coverage.