Results 1 - 15 from 1414 in „4K / 8K Arising”
There are two parts of NAB – showcasing the tools for telling great video stories and, in recent years, addressing the challenge of figuring out how to distribute/monetize those stories. Since the pre– through post–production equipment, products, tools and services are where all the magic takes place by shooters, audio and video editors, colorists and other skilled specialists; we'll look at what was most exciting/promising here first. Later, we'll look at the wild changes taking place in delivering the content to the consumers' screen(s).
TV coverage specialist AMP VISUAL TV, an innovator in the design of outside broadcast (OB) vans for remote video productions, has outfitted its newest 4K HDR OB van — Millenium 6 — with an extensive complement of Riedel Communications equipment. Following the successful deployment of its Millenium Signature 12 (MS12) OB van, AMP VISUAL TV has again invested in Riedel gear to ensure flexible, reliable communications and signal transport within Millenium 6.
With the constant demand for advanced 4K Live Productions, NEP Belgium, one of the market leaders in television broadcast services in Belgium and other European countries, has streamlined operations of its Outside Broadcast truck - Unit15, with the selection of the acclaimed XVS-7000 Video Switcher. With this product known for its flexibility and proven track record in the delivery of broadcast solutions for various events including sports, music and entertainment, the acquisition provides NEP with the specialised production tools needed to support the latest demands of advanced professional Live Productions.
In association with its in-country partner, AV Group, DTC Broadcast today announced the sale of four AEON 4K wireless camera systems that includes IP enabled camera control and RF over fibre solutions, to NEP Australia.
At the 2018 NAB Show EVS introduced the latest live production server into its iconic XT range – XT-VIA. Having led the live replay market for two decades, the new server represents the most significant update to the XT series yet. XT-VIA lets facilities providers and content creators benefit from enhanced UHD-4K and IP operation as well as an integration with VIA - EVS’ new technology platform of modular services and workflow engines.
NEP Sweden is the latest division of NEP Europe, one of the continent’s largest providers of outside broadcasting (OB) services, to adopt Riedel Communications’ MediorNet real-time signal transport, processing, and routing technology. NEP Sweden is installing MediorNet on board its all-new UHD/4K OB van, UHD 1, to provide a decentralized and redundant communications and signal routing backbone for coverage of a broad range of high-profile live productions.
AJA Video Systems revealed the new IPR-10G-HDMI Mini-Converter, which converts SMPTE ST 2110 IP video/audio to HDMI. This new Mini-Converter allows broadcast, production, post and ProAV professionals to output SMPTE ST 2110 video/audio to HDMI monitors. AJA also introduced SMPTE ST 2110 support for its KONA IP via free Desktop Software v14.2.
Blackmagic Design announced ATEM Television Studio Pro 4K, a professional all in one Ultra HD live production switcher with integrated hardware control panel. ATEM Television Studio Pro 4K features 8 independent 12G-SDI inputs, built in Fairlight audio mixer, ATEM Advanced Chroma Keyer, multiview, auxiliary and program outputs, analog audio inputs, built in talkback, two flash based media players, professional creative transitions, a DVE for effects and more. ATEM Television Studio Pro 4K is available now from Blackmagic Design resellers worldwide for US$2,995.
After extensive research and testing of various encoding solutions, Bern-based telecommunications service provider, Swisscom, has selected Rohde & Schwarz to provide ultra high definition (UHD) encoding facilities for the upcoming Russia 2018 soccer championship.
NAB2018 (National Association of Broadcasters) convention will see the continued expansion of the FUJINON 4K HDR lens range from the Optical Devices Division of FUJIFILM. Fujifilm made the Development Announcement on Tuesday, March 27 in Japan of the company’s latest Premier UA Series of UHD 2/3” lenses, the UA46x9.5B and UA46x13.5B. A prototype will be shown at the Fujifilm booth (#C7225). NAB2018 will be held from April 9-12 at the Las Vegas Convention Center.
The agreement with SportA, the sports rights agency of German public broadcasters ARD and ZDF, grants the pay-TV operator the right to show the Match of the Day live in UHD on all tournament days. Financial details of the sublicensing deal were not disclosed. The Sky Sport UHD offer is available to all Sky subscribers in Germany who use the Sky+ Pro receiver and have an Ultra HD TV set.
At NAB2018 (booth C9815), Slomo.tv, a leading international producer of cost-effective, high performance SSD-based video record and replay systems, will launch the new Fulcrum AT/12G 4K instant replay server. Representing one of Slomo.tv’s most advanced replay server systems, this new platform offers operators 10 replay channels (four record + four search + two play). Highlighting its cost-efficiency, the company is offering Fulcrum for USD $60,000 during April 2018.
Panasonic’s AU-EVA1 is a great Super35 cine camera with excellent low light capabilities – winning wide-spread acclaim since its launch last year. Now users will be able to unlock the true potential of this amazing camera and its low noise sensor by combining it with the Atomos Shogun Inferno HDR monitor/recorder, thanks to the release of Panasonic’s free RAW output upgrade. The results take the camera to another level of performance, giving you images with maximum dynamic range in pristine quality.
Canon today announces the release of a medium, telephoto field box lens, the UJ66x9B, and three ENG/EFP broadcast lenses - the CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B. Launched under a completely new lens category, UHDgc, the models feature smooth operability, while maintaining high lens build standards.
Canon today releases its flagship full frame Cinema EOS camera, the C700 FF. Thanks to a newly developed, next generation Canon full frame 38.1 mm x 20.1mm CMOS sensor, the camera is capable of recording up to 5.9K, delivering ultimate creative freedom and quality. The EOS C700 FF also supports multi-format recording, shooting with EF, PL and anamorphic lenses. When using EF lenses, the C700 FF supports Canon’s innovative autofocus (AF) system, Dual Pixel CMOS AF, which is ideal for full frame format shooting.