Results 31 - 45 from 1417 in „4K / 8K Arising”
Sony’s much-anticipated VENICE, its next-generation CineAlta motion picture camera, begins shipping to customers in February. As previously announced, version 1.0 features in VENICE will include support for Full-Frame 24x36mm recording. Now, continuing its approach of incorporating customer feedback into the camera’s development, Sony is announcing several new capabilities including a “Dual Base ISO” mode. With 15+ stops of exposure latitude, VENICE will support an additional High Base ISO of 2500 utilising the sensor’s unique physical attributes. This takes advantage of Sony's unique sensor for superb low light performance with exceptional dynamic range - from 6 stops over to 9 stops under 18% middle gray.
At the BSC Expo in London, ARRI today unveils a complete large-format system that meets and exceeds modern production requirements, delivering unprecedented creative freedom. Based on a large-format 4K version of the ALEXA sensor, the system comprises the ALEXA LF camera, ARRI Signature Prime lenses, LPL lens mount, and PL-to-LPL adapter. It is also compatible with existing lenses, accessories, and workflows.
Blackmagic Design announced Blackmagic URSA Broadcast, a new high end, professional broadcast camera designed for both studio programming and live production. URSA Broadcast works with existing B4 broadcast HD lenses, can be used for both HD and Ultra HD production, features a 4K sensor, extended video dynamic range, traditional external controls and buttons, built in optical ND filters, dual CFast and dual SD card recorders, and much more. Blackmagic URSA Broadcast is available now for only US$3,495 from Blackmagic Design resellers worldwide.
Mobile production specialist TNDV: Television has set itself apart from many of its competitors through its “a la carte” approach to each project based on customer requests and technical requirements. Following recent purchases of high-end switching and audio production gear, TNDV has acquired a full complement of Sony HDC-4300 cameras that are immediately available on Exclamation, its flagship 53-foot, double-expando 3G/4K mobile truck.
Set to be released at the end of February 2018, the Version 6 firmware upgrade sees the camera gain a new shading mode alongside tally and return video management. Full control of the cameras is also possible from Panasonic’s AK-HRP1000 remote control panel.
MOG Technologies, a worldwide provider of end-to-end solutions for professional media, today announced the release of new versions for both mxfSPEEDRAIL and SKYWATCH platforms. The new versions include the support for innovative formats, codecs and protocols, ensuring high interoperability with social networks.
xG Technology, Inc. a leading provider of wireless video solutions to broadcast, and private mobile broadband networks for critical communications, announced that IMT Vislink's HCAM HEVC 4K Wireless Camera Systems have been successfully deployed in their first live outside broadcast events by Broadcast RF Ltd.("BRF").
One of three new studios which will sit within a vibrant media-focused site, studio TC1 (10,800 sq ft), will be used by broadcasters and independent production companies to produce content ranging from sitcoms and entertainment shows to large live scale productions.
The Acuity production switcher, launched in 2015, is Ross Video’s flagship switcher offering and today Ross is pleased to announce that this production powerhouse has been enhanced with the addition of 12G single-link connectivity and additional video processing resources.
- ATP Media, working with Gearhouse Broadcast successfully tested 4K and 1080p HDR production at the 2017 season ending Nitto ATP Finals, London
- Gearhouse Broadcast incorporated Broadcast Wireless Systems’ new Sapphire HEVC ultra-low delay 4K camera link enabling true 4K wireless cameras to be inter-cut with cabled cameras for the first time
- Dolby Atmos was also incorporated into the demonstration at the flagship tennis finale in London
Shanghai Media Tech runs the full gamut of production activities: pre-production, broadcast, post-production, network operation and maintenance, application development of new media and more. To match its breadth and depth of services, the China-based media company chose Grass Valley, a Belden Brand, to provide a fully comprehensive, total 4K/IP solution for its OB van and EFP systems. Shanghai Media Tech’s mobile production units are equipped for any live program or sports event as Asia’s largest all IP, 4K UHD OB vans.
Panasonic initially provided RTS with the AJ-PX 270 Micro P2 to test along with models from competing brands, to replace their ageing equipment. The field reporters on the RTS editorial team had been using the same camcorders for six years, so when it came time to replace them three years ago, the network launched its first call for bids.
Panasonic today release their new GH5S mirrorless camera with amazing low light capabilities. Unleash its full capability by combining it with the Atomos Ninja Inferno 4K monitor / recorder - recording up to DCI 4Kp60 10-bit 4:2:2 over HDMI 2.0 directly into production-ready Apple ProRes or Avid DNxHR on SSD drives.
The accelerating demand for UHD and HDR has until now been hampered by the limited ability of wireless-equipped cameras to transmit vast volumes of raw data, making them almost useless for covering live sport, events, and news in 4K. However, by taking advantage of the extremely efficient, ultra-low delay HEVC SD, HD, and 4K encoding technology built into the AEON-TX transmitter, operators in any wireless application can now transmit 4K UHD video formats up to and including 2160p60.
On 2nd December, Arena TV deployed Domo Broadcast’s AEON 4K transmitter (AEON-TX) coupled with a camera control and fibre system designed and provided by VideoSys to help broadcast a Premier League match between Arsenal and Manchester United at Emirates Stadium, London.