Results 1 - 15 from 206 in „Case studies”
Until recently, WebStream Sports was an independent provider of remote broadcast, in-venue and studio production. Starting out in 2006, the Indianapolis-based business had focused primarily on live sports, spent nearly a decade in high demand for its reputation for high-quality sports productions, and achieved remarkable success in a relatively short time.
The company’s history started back in 1976, with the TV Broadcast institute in Šiauliai (Lithuania), where all the broadcast equipment for CIS countries and OB vans were manufactured for the Moscow Olympic games in the summer of 1980. In 1996, following the Soviet Union collapse, a team of engineers established TVC. Over the years, the company has constantly grown and now works on projects around the globe.
2016 has without a doubt been a year of significant growth for ES Broadcast, not only for the sales division, but in all areas of the business. There have been a number of additions to the team over the last 12 months, across all departments, securing the company’s ability to expand into new aspects of the broadcast market, maximising the services we are able to offer to our growing list of valued customers.
In the international Outside Broadcast (OB) market big is not always most beautiful. From its state of the art design and manufacturing centre in Istanbul, Hitachi Kokusai Turkey (HKT) has developed a range of compact and versatile OB vehicles that provide a range of highly cost-effective production solutions.
Arrival isn’t just a movie, it’s like art films I used to view during college with underlying thoughts, meaning and ideas you had to dig for and think about. It made me think of the state of the M&E (media & entertainment) industry…” Even in our world of instant and ubiquitous communication, we have fear and distrust of newcomers and each other.”
Bexel expertly delivers unparalleled production services and bespoke solutions for the live broadcast market, with expertise in hire equipment, systems integration, fibre solutions, managed services and product sales. With a global footprint that has recently expanded beyond North America to include the United Kingdom and Mexico, Bexel is equipped to deliver the most important sporting and entertainment events to a worldwide audience.
SoCal Rentals was founded in 2008 to provide clients in broadcast, reality TV, live event production and AV/staging with full service audio, video and LED solutions offering production-specific engineering design, equipment rentals, expert technical management, project consulting and crews. The company recently added 12 AJA Ki Pro Ultras into their rental pool, which already includes massive quantities of AJA gear including hundreds of FiDO fiber and Hi5 SDI to HDMI Mini-Converters, 30 Ki Pros, 20 Ki Pro Racks, multiple FS1 and FS2 frame synchronizers, KUMO routers and more.
Cologne based Filmwerk has been a leading player in television, digital media, corporate and commercials for more two decades and has worked on some some of Germany’s most watched television programs, including “Supertalent” and “Kleines Wunder großes Glück.” With a team of more than 45 production professionals, Filmwerk has gained a reputation as one of Germany’s leading media production specialists.
For the third year in a row, Icon Broadcast Group, a production company based in the Netherlands handled the live operations for VESTROCK festival, engaging the audience through social media.
For dance music aficionados, Ultra Music Festival and its related events are global hot tickets. Billed as the world’s premier electronic music festival, it attracts elite dance DJs and artists such as Martin Garrix, Hardwell, Avicii, Armin van Buuren, David Guetta, Deadmau5 and Eric Prydz who perform to thousands of people at 18 events across the world, from Croatia to Tokyo.
Robe was one of the first manufacturers to start producing multi-purpose or hybrid fixtures with the launch of The Pointe in 2013, followed by its signature BMFL range of fixtures, the first of which hit the market in September 2014. Both BMFLs and Pointes being seen on a wide variety of tours, shows and events worldwide … they are being specified by leading lighting, visual and show designers and invested in by rental companies of all sizes.
On 4th April 2016, the PRG Live Entertainment Awards (PRG LEA) were presented in the Festhalle in Frankfurt in front of an audience of over 1,400 guests from the national and international music, event and entertainment scenes. With a total of 14 awards, event organisers, artist managers, concert agents, venue operators and artists were recognised for their excellent achievements in the live entertainment industry.
Built in a mere ten months and inaugurated in 1898, the Vienna Volksoper is the Austrian capital’s other prestigious opera house. It is what Austrians like to call a “repertory theatre”, i.e. a venue that stages opera, operetta, ballet, and musical comedy productions—around 300 shows each season (September through June).
German rock titan Udo Lindenberg has started his “Keine Panik!” (“Don’t panic!”) 2016 German tour. Fans love the 70-year-old chart topper. More than half a million people have attended his concerts in the past three years, and in 2016 the stadiums and halls are packed again! It was not surprising that, in the run-up to the tour, an additional concert had to be scheduled at almost every venue. satis&fy, leading international provider of cutting-edge event, media technology and scenic design solutions from Karben near Frankfurt am Main, Germany, was responsible for the sound on Udo Lindenberg’s “Keine Panik! Tour 2016.” The company is international in scope, employing over 500 people. satis&fy’s fleet of vehicles and store of materials is one of the biggest and most up to date of German live event companies.
Fujifilm is at the forefront in the development of 4K UHD optical technology. Since the emergence of two-third inch (2/3”) broadcast cameras and subsequent technology transformation which was initiated by the launch of Sony’s 4K 2/3” HDC camera series, other camera manufactures soon followed this trend (Grass Valley, Panasonic, Ikegami and Hitachi etc.). We believe that it is safe to state that this is not just a trend, as was witnessed a few years back with the introduction of 3D broadcast technologies. The demand for 4K Ultra High Definition production acquisition, workflow and transmission technology has thus increased since the first live trail productions back in 2014 (FIFA World Cup). Since then we have seen a substantial surge in 4K UHD live productions, especially in the past twelve months, which to some extent can also be contributed to the increased proliferation of 4K UHD TV sets in private households and resulting demand for more 4K UHD content.