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(05/09/2010) At IBC in Amsterdam our 3D Booklet and our HD OBVan Special 2010 will be available at the Live-Production.TV press stand #38 on the walkway between Halls 8 & 9/10/11. The Booklet will cover recent 3D productions like Football, Ice Hockey, Tennis and Rugby and will give a comprehensive overview of available 3D production trucks as well as a brief description of state-of-the-art 3D production equipment.
(04/09/2010) Front Porch Digital, the global leader in solutions for migrating, managing, and monetizing media content, today announced that Avid® has signed an agreement to sell Front Porch Digital solutions through Avid's projects and professional services group in Europe. Avid EAME will sell the company's DIVArchive® content storage management (CSM) systems, which fully integrate with Avid Interplay® Production, Interplay Media Asset Manager, and Avid Unity™ products. Avid EAME will also be able to resell the Front Porch Digital SAMMA® product line.
(04/09/2010) The IABM (International Association of Broadcasting Manufacturers) has announced the shortlist of finalists for the IABM Awards for Excellence in Design and Innovation. The five finalists will be judged during the IBC2010 exhibition, with the outright winner receiving the prestigious IABM Peter Wayne Award in recognition of this year's outstanding contribution to broadcasting technology.
(03/09/2010) IMPIRE is responsible for the editorial support including a wide range of statistics, analytical information and provides the operation for ARD´s BUNDESLIGA highlight show.
(03/09/2010) DirecTV Latin America, the leading satellite television provider in the Caribbean and South America, is installing ForeTV from MSA Focus at its Venezuela centre, alongside the implementation at the Los Angeles headquarters. ForeTV provides a comprehensive channel management service for the broadcaster.
(03/09/2010) The use of interactive 3D visualisations is growing each year. Real estate property developers, governments and even industrial companies are reaping the benefits of these multifunctional visual presentations. World-leading 3D company Zero Creative is demonstrating its new solutions at IBC this year.
(03/09/2010) PRG set a new standard for stage automation in 1988 when it introduced the patented Stage Command® motion control system on Phantom of the Opera. The PRG Stage Command System (SCS) gives designers and operators the reliability to execute even the most complex motion control cues with accuracy, repeatability and unparalleled attention to safety. In the ever-expanding scope of scenic and automated elements, SCS offers the clear solution for today’s demanding performance environments.
(03/09/2010) Snell today announced that its Archangel Ph.C – HD real-time video restoration system has been recognized with a BIRTV 2010 Award for outstanding product in the Video Production & Broadcasting category. The award was presented to Snell on Aug. 22 at the BIRTV 2010 show in Beijing.
(03/09/2010) Zaxcom today announced that its QRX100 broadcast ENG receiver is now shipping to customers worldwide. The QRX100 can receive up to four channels of 100 percent digital audio from up to two Zaxcom stereo transmitters, enabling television production professionals to take full advantage of the four discrete audio channels available in today's latest generation of video cameras.
(03/09/2010) Telecast Fiber Systems today introduced the CopperHead™ 3400, an innovative new fiber optic video transceiver specifically designed for high-end 3D cinema production. The CopperHead 3400 is the first product of its kind to mount directly onto a dual-camera 3D rig, allowing producers to harness the flexibility and cost-effectiveness of tactical fiber for transporting high-quality stereoscopic HD signals over long distances.
(03/09/2010) As the keynote to the IBC2010 conference day devoted to stereoscopic 3D (S3D), Steve Schklair, CEO of 3ality Digital, world leader in advanced technologies to empower creative digital stereoscopic 3D acquisition, is presenting a remarkable demonstration. In a recreation of a real-world live shoot he will use three beam-splitter rigs, including the latest TS-5 lightweight rig operated on a Steadicam mount, with the pictures shown live on the giant screen in the Auditorium.
