5 robotic TV cameras on rails and towers at the Super Bowl halftime show
The robotic camera systems that RailCam works with has carefully been selected over the years and Brian Sheid explains: “We work in live TV and the experience has to be excellent every single time. The gear just cannot fail on set. Like now when we broadcast the opening shot of the Super Bowl halftime show, you’ll never get a second chance at that. As a technician, you develop certain confidence in a piece of equipment. Your job is to keep everything working, so you obsess over the things that might stop that.” Brian Sheid continues: “All dolly systems and heads performed flawlessly during the show and we are very happy with the performance. For example, The NEWTON heads are something I never really have to worry about. It’s a piece of equipment I can trust, which makes my job easier and protects my company’s reputation.”
These moving camera systems are operated live by skilled cameramen, that are brought in by the technical director, and they often operate one complete system by them selves. The operator typically controls the towers and rail systems with their feet, for example left/right with one foot, and up/down with the other. Then he/she controls the camera pan/tilt/roll with one hand and zoom/focus with the other. RailCam has never seen the need of pre-programmed camera movement and Brian Sheid explains: “Many people think programmed moves is a great idea until the artist walks faster or stops for a second and the camera keeps on going right past them. Also, the magic behind a robotic camera not looking too robotic, is to have a human operating it.” For this event, RailCam brought four technicians to install their robotic camera solutions and to be stand by during the show. A few of the technicians had worked at Super Bowl before, but this was the first Super Bowl assignment for RailCam as a company.
THE ROBOTIC CAMERA SYSTEMS
To the Super Bowl halftime show, RailCam Robotic Systems provided 5 moving camera platforms:
A RailArm in front of the stage, holding a NEWTON stabilized camera head. The RTS RailArm is a rail system with an arm, that can lift the camera from a very low position. The rail track ran 36 feet along the stage and the whole system was operated by Shaun Harkins.
A RailTower in front of the stage, holding a Nettmann Mini-C stabilized camera head. The RTS RailTower is a telescopic tower on a rail track and Rick Compeau operated the rail dolly while Kevin French operated the tower and camera.
Also in front of the stage, there was a new RTS telescopic tower which can lift the camera from 9 to 35 feet. It featured a NEWTON stabilized camera head and was operated by Jay Kulick.
Jay Kulick also operated a RTS telescopic tower on the very top of the stage, which shot reverse angles of The Weeknd in the middle of the performance. This tower could lift its NEWTON stabilized camera head from 5 to 11 feet.
Finally, there was a NEWTON stabilized camera head mounted on a MAT XS+ telescopic tower inside the stage as a back up for the wireless handheld camera in the infinity room. This was never used but was ready to be operated Kevin French.