A Perfect Couple: grandMA2 Joins Ellie Goulding
“I approached the grandMA2 initially as if it were just like any other desk with which I’m familiar, but it’s not. In fact I struggled at first but eventually I found that all I needed to do was switch to the MA way of thinking. It has a sort of German logic to it, and I mean that in an affectionate way. Once I’d shifted my thinking then I began to see the potential.”
Haddow continues: “Writing your own macros is advantageous on any desk, but in grandMA2 you can create stacks of macros that in essence give you something akin to writing your own programme; that has proved immensely useful. With six cameras on the show I wanted all the performers to know which camera was ‘live’, so if they felt like it they knew when to play to camera. But in the absence of a dedicated PPU, the camera tally system that illuminates the red light of whichever camera is live doesn’t function.”
“With some guidance from XL Video the solution I figured out started from a simple position. The grandMA2 lends itself to being used as a virtual switcher/vision mixer for video in its physical layout. Take the user defined keys (or the ‘X-Keys’) at the centre of the desk: I set the upper row as my basic (TX) bus, the lower row as my camera preview (PVW) bus. The larger main executor faders to the left of the X keys I use as what would be a T-Bar on a traditional video mixer, allowing me to cross fade between the TX and PVW busses. So once I’d figured out the mechanics of triggering the tally system from desk, basically through Cat’ to Camera via a USB relay, it became simple. Essentially, because I drew up a particular camera into preview, the desk could tell where I was going next and initiated the tally indicator as I moved to cross fade.”
“I’m more a trial and error person. I like to figure things out for myself”, explains Haddow. “It takes a while but again the desk lends itself to my approach, and when you make mistakes they’re simple to spot and fix. With the tally system I discovered I needed to insert a 0.1 second delay in the macro file to trigger the command when I made the cross-fade. You learn a lot doing things this way.”
Haddow will take over running the whole show when the tour moves to the US and Carter leaves to light Elbow’s next outing. “Of course I’m already very familiar with the show. We have moved this design through many different venues, when working with Cate on the main show-file you set up your own user profile and you can create worlds. That means you can make parts of the rig mutually exclusive so I can be working on say, the video content through the screens, Cate can be touching up lighting focuses, and in separate worlds. Although we are both editing the main show-file, neither of us can touch the others domain. That’s very reassuring. I’m really looking forward to taking over in the US.”
Ambersphere is the exclusive UK sales, service, support and training centre for MA Lighting products. The lighting equipment was supplied by Lite Alternative.
MA Lighting International, based in Paderborn, Germany, is the dedicated sales, support and service entity for the renowned control systems, digital dimming systems, networking tools and media servers of MA Lighting Technology, based near Wuerzburg, Germany. The product range offers cutting-edge solutions for control and dimming, including the award-winning grandMA2 consoles, the MA onPC command wing and MA onPC fader wing and reliable digital dimmer racks and packs. With its innovative MA VPU (Video Processing Unit) MA bridges the lighting and video worlds.
Today, MA Lighting is respected for its technical knowledge and has achieved a unique international reputation for its operational philosophy. The company offers more than 30 years experience and strictly follows a professional user-centric approach, getting as close as possible to the market via its own international offices and support centres in the UK, North America, Latin America, the Middle East/India, Asia Pacific and Scandinavia/Eastern Europe/Russia – supported by a world-wide distribution and service network.