NEP Australia IP21

GENERAL

Name of Truck

IP21

Maximum of Cameras

16

Maximum of Recording Positions

2

HD Formats

• 720p
• 1080i
• 1080p
• 2160p 4K Ultra HD

Length (m)

13

Width (m)

2.5

Height (m)

4.3

Voltage (V)

• 380/415

System Integrator

NEP Australia System Integration Team

PRODUCTION

Vision Mixer - Production 1

1x XVS-6350 SMPTE IP Switcher (Sony)

Monitor Lines - Production 1

64

Displays Production 1

4x 4K55 (boland)

Multiviewers/Splitters Production 1

PX-SXP-32X6 (Imagine Communications)

Stereo Sound

Series 8020 (Genelec)

VISION CONTROL

Cameras

• 16x IP CCU for HDC-4300 (Sony)
• 2x PDW-800/XP Link Wireless (Sony)

Lenses

Digi Super (Canon)

Tripods

• Vision 100 (Vinten)
• Video 60 Plus (Sachtler)

Fiber Connectors

3K.93C Series (Lemo)

Monitor Lines

32

Displays

8x PVM-A170 (Sony)

Multiviewers/Splitters

PX-SPX-64x6 (Imagine Communications)

KVM Switch

Draco tera compact 48C16F (ihse)

Measurement Equipment

• WFM8300 (Tektronix)
• WFM5200 (Tektronix)

VIDEO RECORDING

HardDisks

2x XT4 (EVS)

AUDIO RECORDING

Audio Mixer

1x mc²56 (LAWO)

INTERCOM

Intercom Matrix

1x RTS Intercoms with Adam Omneo Matrix (RTS)

SPECIAL FEATURES

*

Australian sports venues are spread across a vast geographic territory that is larger than the continental US or Europe. Because much of the country’s interior is sparsely populated, covering events has until now required extensive crew travel hours and expense. Historically it was common for production team members to spend up to two days travelling to cover a one-day project. Meanwhile, the logistics of moving crew between locations meant people and infrastructure were used inefficiently. The fact that Australia’s robust market for live, local television production relies heavily on a small pool of skilled freelancers compounds the issue.

*

4K/UHD+HDR | Super SloMo | 1080p | 1080i | 720p
Scalable to Suit Project and Connectivity
100 per cent SMPTE 2110 IP Infrastructure
• IP Transmission to the Hubs in Sydney or Melbourne