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Champions League Final at Wembley
The 2011 UEFA Champions League Final that was played on 28 May at Wembley Stadium gathered an impressive technical deployment with 40 cameras and 12 stereoscopic camera positions to broadcast live content to more than 300 million viewers in over 150 countries.
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Meduza invited by NASA to Shoot Final Space Shuttle Launch
The Meduza, the first single beyond 4K digital stereoscopic 3D (S3D) camera ever developed, has been invited by America’s Space Agency, the National Aeronautics and Space Administration (NASA) to shoot the final Space Shuttle Launch at Cape Canaveral, FL, mid-July. The announcement was made today by Chris Cary, CEO of the new UK tech 3D start-up, 3D Visual Enterprises, parent company of the camera’s developer, Meduza Systems.
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Sony’s 3D Production of Wimbledon to be Broadcast and Screened Worldwide
Sony Corporation (“Sony”) today announced that several major global broadcasters and cinema exhibitors will broadcast and screen the 3D production of the Wimbledon 2011 men’s semi-finals, men’s final and women’s final in multiple countries and regions worldwide. Through its official supplier partnership with The All England Lawn Tennis Club to produce the final matches of The 125th Championships in 3D, Sony aims to deliver the exhilaration and excitement of the world’s premier tennis championships - with unprecedented depth and realism - to viewers worldwide.
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TSL acquires Celtic Audio
TSL has announced the acquisition of Celtic Audio Ltd., a UK company that specialises in the development of professional audio technology enabling the flexible and accurate monitoring of sound. Quality control of sound in today's multichannel environment is crucial, where any fault or error must be detected and resolved in order to maintain the excellence of the output.
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Stereoscopic 3D Conversion- High Quality at Low Cost
ddp is one of the most uniquely talented and affordable 2D to 3D conversion studio in the world. ddp is passionate about the art & science of 3D imagery and is committed to providing clients with the quality and customer service they expect and deserve. ddp's revolutionary approach combines four key elements critical to raising the global bar in 2D to 3D conversion: technical innovation, creative artistry, competitive pricing and accessibility.
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“Violadores del verso” Concert Live in 3D
Medialuso, a MEDIAPRO group company based in Portugal, worked together with the regional channel in the production of the “Violadores del verso” concert, organized by 3D5 and which took place in Zaragoza on the 10th June.
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James Williamson Joins STAGETEC USA
STAGETEC USA is proud to announce that it has appointed James Williamson as VP of Broadcast Systems. Based in STAGETEC’s NY office, Williamson will be responsible for system sales and support across the product line with a main focus on broadcast.
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First EVS XT3 in Malaysia
Visual Three Productions is extending its range of EVS servers with the purchase of Malaysia’s first XT3. The extension builds upon Visual Three’s existing installation of EVS servers and controllers, and is driven by the expansion of their HD operations.
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Ma’anshan TV Station Chooses Ross Live Production Switcher
Ma’anshan TV Station based in Anhui Province, China chose a Ross Vision 2 QMD Multi-definition Production Switcher for their first digital HD OB Van (8 channel).
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Turkey votes Orad in General Elections
Leading Turkish broadcasters TRT, TV8 and Haberturk relied on Orad for their winning broadcasts of the Turkish General Elections on June 12th, 2011. The Turkish viewing audience was mesmerized by Orad’s powerful, interactive, virtual graphic capabilities.
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IBC 2011 Conference Keynote Speaker: Joanna Shields
IBC, the leading global tradeshow for professionals engaged in the content creation, management and delivery of broadcasting media and entertainment has announced that Joanna Shields, vice president & managing director EMEA, Facebook, is to present the convention keynote address at IBC 2011.
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Movecat supplies kinetic solutions for the ESC 2011
The final of the 56th Eurovision Song Contest, which was broadcast live from the Esprit Arena in Düsseldorf on the 14th May, succeeded in living up to very high expectations; that's one point upon which everyone involved is agreed. The NDR, the City of Düsseldorf and DüsseldorfCongress, which operates the Esprit Arena, all drew extremely positive conclusions from the event: "The challenge of turning a football stadium into a gigantic television studio with an audience numbering tens of thousands was met, and the level of interest within Germany was overwhelming – as the outstanding figures make abundantly clear," reports NDR Director-General Lutz Marmor. Thirty-five thousand people attended the final live in the Esprit Arena, while a further 13.83 million viewers within Germany and 120 million worldwide followed the Eurovision Song Contest on TV.
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Digitale Cinematographie 2011 – Registration Now Open
Registration has been open for nearly two weeks now for partner companies wishing to present their companies and / or offer a workshop at Digitale Cinematographie 2011 which is being held on 20 and 21 October this year. All applications received before 15 July 2011 will be eligible for an early bird discount.
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Guest of honour: grandMA2 for Welsh BAFTAs
A grandMA2 light was specified by lighting programmer and operator David Horner to control moving lights and media for the 20th annual British Academy Cymru Awards (Welsh BAFTAs) held at the Millennium Centre in Cardiff, Wales UK. The event was hosted by Sian Williams and Jason Mohammed and celebrated the best of the nation's television, film and interactive industry in 26 programme, craft and performance categories.
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Ericsson Drives the MultiScreen TV Experience at CommunicAsia
Ericsson will demonstrate how its ‘End to Endless’ (E2E) television solutions are driving the delivery of more content to more consumers across multiple networks at CommunicAsia 2011, Singapore, June 21- 24 2011 (booth 1M2-01). Ericsson will show how its E2E solutions are helping service providers in Asia turn complexity into profitability and enabling them to differentiate their TV services to deliver the ultimate user experience in an interactive multiscreen world.
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