Live production isn’t static – it never has been. Workflows and the processes they enable are constantly evolving. With the introduction of UHD-4K, the adoption of IP for the deployment of infrastructures and the roll out of workflows that support new, more immersive consumer-facing formats, outside broadcast facilities are facing more challenges than ever before.

Wige Media, based in Köln, Germany, understands that outside broadcast work places particular strains on camera support equipment. On the one hand they have to be light and manoeuvrable enough to be moved into position, which may be some way from vehicle access and possibly high up in a stand.
On the other hand they have to be particularly stable and rigid as they are often used with very long lenses. The slightest trace of instability in a camera mount when used at the extreme end of an 80x or 100x lens will look like a major disruption.

With an unrivalled 62-year history of elite competition, MotoGP is the world’s premier motorcycling championship, comprising a nine-month, 18-round season, in 13 different countries, spanning 4 continents. Dating back to 1949, it is the oldest motorsport World Championship in existence. Since 1992 the commercial rights and the production of the international TV signals are owned by Dorna Sports SL, with the FIM remaining as the sport sanctioning body.

A new reality format is breaking all the records in the Netherlands: “Utopia” is a hit with both TV and Internet audiences. Devised by John de Mol and produced by Talpa, “Utopia” has invited 15 inhabitants to leave their usual lives behind for a full year to create an ideal mini-society of their own in Blaricum, near Hilversum. Multimedia company Dutchview was faced with the big challenge of covering a 12,500 square metre area with both video and audio recording equipment to follow the Utopia inhabitants. In order to provide coverage to this vast area with an RF wireless solution, they turned to Sennheiser Benelux for assistance.