Results 106 - 120 from 1542 in „4K / 8K Arising”

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ACS debuts 3D Flown Railcam

SKY Sports coverage of the Super League Grand Final from Old Trafford had a new rig this weekend in the form of a 3D flown railcam system. In previous years, ACS has successfully provided a 100m flown system for Sky Sports’ 2D coverage of the Grand Final using a HD Cineflex V14 stabilised camera mount to provide a unique and dynamic view of the action below. This year, Sky Sports upped the challenge by requesting ACS provide the same view but in 3D.
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ACS debuts 3D Flown Railcam

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ACS Launches new 3D Minicams

ACS have made a significant investment in the development and delivery of a range of 3D camera systems which mirror its service provision offered in HD. As part of its on-going commitment to the development of specialist cameras, ACS has launched two new 3D heads, the Hammerhead and Remora.
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ACS Launches new 3D Minicams

ACS’ 3D Railcam at Heineken Cup Final

ACS has successfully completed another 3D railcam shoot for Sky Sports. Covering the Heineken Cup Final at the Millennium Stadium in Cardiff on the 21st May, the ACS railcam was fitted with a Stab-C COMPACT stabilised mount supporting an Element Technica Pulsar 3D mirror rig. Two Sony P1 cameras fitted with HJ22 lenses were installed in the Pulsar rig in the under through configuration.
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ACS’ 3D Railcam at Heineken Cup Final

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Aerial Cinematographers Rely on Fujinon Equipped Shotover Camera Systems

New Zealand-based company SHOTOVER prides itself on equipping its ultra-high performance stabilization camera systems for high velocity cinematography with top-of-the-line equipment. Designed for use in helicopters, ground vehicles and watercraft, the company’s F1 and K1 camera systems are made with an open architecture, giving operators a variety of camera and lens options. Many SHOTOVER customers rely primarily on the FUJINON lenses integrated within the systems, including the Premier PL mount 18-85mm zoom lens, PL mount 14.5-45mm zoom, PL 85-300mm Cabrio, 19-90mm Cabrio, 25-300mm Cabrio, and HA42x9.7 Premier Series ENG style lens for their high-end aerial productions.

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Aerial Cinematographers Rely on Fujinon Equipped Shotover Camera Systems

AG-3DP1 3D P2 HD Shoulder Mounted Camera Recorder

Panasonic Europe announced the expected launch date and RRP information of AG-3DP1, a 3D twin-lens P2 HD shoulder-mount camcorder with 10 bit, 4:2:2 independent-frames, full 1920 x 1080 resolution AVC-Intra recording which was introduced at NAB2011 in April 2011.
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AG-3DP1 3D P2 HD Shoulder Mounted Camera Recorder

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Agile Developments Boost Pablo and Power up Pablo PA

At IBC Quantel's Pablo gained lots more great new tools and capabilities thanks to Quantel's agile development program. These included the stunning Geofix2 S3D geometry correction tool, integration with OpenEXR and DNxHD soft mount. Also the Pablo PA workflow assist station powered up at IBC with the NVIDIA Quadro support, speeding up many processes and enabling realtime S3D playback. Pablo PA also now supports dual monitor operation with full frame S3D display.
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Agile Developments Boost Pablo and Power up Pablo PA

Air to Air Belgium Acquires SHOTOVER F1 LIVE for 4K UHD Broadcasting

SHOTOVER, maker of high performance stabilization platforms, announced today the sale of a SHOTOVER F1 LIVE camera platform to top aerial production company Air to Air Belgium.  The exclusive provider of aerial footage for Formula 1, Air to Air Belgium selected the SHOTOVER F1 LIVE in preparation for the 2017 racing season when the global series shifts from HD to 4K UHD broadcasts.  The new system will enable Air to Air Belgium to deliver crystal clear 4K footage during Formula 1 live broadcasts, providing fans with a stunning new way to experience the world’s fastest road racers.

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Air to Air Belgium Acquires SHOTOVER F1 LIVE for 4K UHD Broadcasting

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AJA and Atomos Announce Support for 4K 60fps AJA Raw on Atomos Shogun Recorder

AJA Announces Corvid Ultra Support for Quantel Pablo Rio

AJA Video Systems announced that the new AJA Corvid Ultra OEM cards are supported on the Quantel® Pablo Rio. This is the first time that Quantel have offered operability with any video card other than their own, and AJA's Corvid Ultra is the exclusive third-party solution delivering 4K workflows with Pablo Rio. Quantel is the latest OEM partner for AJA's Corvid line of video I/O solutions, and will offer Corvid Ultra with turnkey Pablo Rio systems.
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AJA Announces Corvid Ultra Support for Quantel Pablo Rio

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AJA Announces Development Partnership with Grass Valley

At NAB 2014 AJA Video Systems announced a new development partnership with Grass Valley. As part of the partnership, Grass Valley will integrate AJA Corvid Ultra and TruScale™ scaling hardware into the Grass Valley K2 Dyno Replay System and Summit 3G broadcast replay server to drive real-time pan and zoom from UltraHD/4K to HD.
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AJA Announces Development Partnership with Grass Valley

AJA Announces EVS as New Developer Partner

AJA Video Systems announced that EVS, a leading manufacturer of solutions for live production and broadcast, has joined AJA’s family of developer partners. EVS will offer integrated support for a range of AJA products, including Corvid Ultra and the just-announced TruZoom™ software.
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AJA Announces EVS as New Developer Partner

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AJA Announces New Solutions Supporting SMPTE ST 2110 at NAB2018

AJA Announces Ship Date for the CION Production Camera

AJA Video Systems announced that the company has started accepting orders for the new CION production camera, with an anticipated initial ship date by the end of December. CION is both ergonomic and lightweight with unparalleled connectivity, and is capable of shooting at 4K/UltraHD and 2K/HD resolutions direct to Apple ProRes or AJA Raw. For information on where to place orders, please visit http://www.aja.com/en/where-to-buy#wtb-cion for a list of AJA CION resellers.
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AJA Announces Ship Date for the CION Production Camera

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AJA CION 4K/UltraHD/2K/HD Production Camera Now Shipping

AJA Video Systems’ CION 4K/UltraHD/2K/HD production camera is now shipping globally. Ergonomic and lightweight in design with unparalleled connectivity, CION™ is capable of shooting at 4K/UltraHD and 2K/HD resolutions. In-camera recording directly to the Apple ProRes family of codecs, including 12-bit ProRes 444, enables incredible image quality capture to cost-effective AJA Pak SSD media at up to 4K/60p, and offers compatibility with a wide range of post production applications. CION also outputs AJA Raw HFR at up to 4K/120p. CION is the only 4K/UltraHD camera available that captures internally to 12-bit ProRes 444.
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AJA CION 4K/UltraHD/2K/HD Production Camera Now Shipping

AJA FS-HDR Hits the Road for Mobile TV Group 4K/UHD HDR Broadcasts

Piecing together the right combination of equipment for a mobile production truck is challenging, but establishing a workflow for a 4K/UltraHD HDR truck is a whole new ball game, one that Mobile TV Group’s (MTVG) Peter Wehner excels at. As Director of Engineering, Wehner is one of the architects behind MTVG’s 30 mobile production units, which service more than 4,000 sporting and entertainment productions a year for CBS, CNBC, Fox and DIRECTV, among others. Working alongside MTVG CEO Philip Garvin, Wehner helped build out MTVG’s 53’ 4K HDR Double Expando – the first mobile production unit to deliver a live 4K/UltraHD HDR telecast in the U.S. The mobile unit houses 14 AJA FS-HDRs for real time HDR conversion and 4K/UltraHD/HD frame synchronization as well as 12 AJA FS1-Xs and 12 AJA UDCs for HD up, down, cross-conversion and frame-synching.

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AJA FS-HDR Hits the Road for Mobile TV Group 4K/UHD HDR Broadcasts

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