Results 106 - 120 from 1533 in „4K / 8K Arising”
In a year when artificial intelligence and machine learning became a very hot topic in the media industry, the IBC Best Conference Paper Award goes to a team from BBC R&D which has investigated practical applications. The award is made to the technical paper which, according to the team of peer reviewers, delivers not just the most significant new research, but does so in an accessible way.
SMPTE®, the organization whose standards work has supported a more than a century of advances in entertainment technology and whose membership spans the globe, today announced the program lineup for the daylong SMPTE 2018 Symposium, "Driving the Entertainment Revolution: Autonomous Cars, Machine Intelligence, & Mixed Reality." The Oct. 22 event will take place at the Westin Bonaventure Hotel & Suites in downtown Los Angeles leading into the SMPTE 2018 Annual Technical Conference & Exhibition (SMPTE 2018).
NHK Enterprises launched “nep infini” in 2012 as a new online and offline workflow offering for production professionals working with a range of HD, 2K, 4K and 8K camera formats and frame rates. With a rising demand for facilitating HDR workflows, NHK recently began exploring solutions to help “nep infini” clients take their productions to the next level. AJA FS-HDR, the newest addition to “nep infini” and cornerstone of their UltraHD HDR workflow, supports real-time HDR transforms.
True Visions Delivers Thailand’s First 4K UHD Premier Football Event Coverage with Imagine Communications
True Visions, a leading cable and satellite operator in Thailand, has extended its Imagine Communications playout solution to broadcast this year’s worldwide football championships in 4K Ultra HD. This is the first Ultra HD channel in South East Asia, and it was designed, built, tested, proven and put on air in just four weeks.
NEP Belgium run their first unit of the Broadcast Solutions developed Streamline OB Van family. Unit 18, the newly added production vehicle, is an S8L and represents a new variant, the German system integrator added to its Streamline Family of OB Vans. With new room concepts and additional interconnectivity technology, the S8L offers more flexibility during productions and adapts to future IP-based workflows.
The French state-owned public service broadcaster, one of the largest in Europe, selected Panasonic following a competitive tender which included extensive trials of UHD studio cameras.
At InfoComm 2018, AJA announced Hi5-12G, a new 12G-SDI to HDMI 2.0 Mini-Converter, and HA5-12G, an HDMI 2.0 to 12G-SDI Mini-Converter, each available in three model configurations, with or without Fiber SFPs. The new Mini-Converters streamline the transmission of high resolution, high frame rate and deep color content over long distances.
One of the biggest sports events in the world is now happening, and tennis fans can enjoy the clarity of stunning 4K pictures captured with Sony technology. Once again, France Télévisions is live operating the acclaimed Sony’s HDC-4300 system cameras to deliver simultaneous production in 4K, HDR and HD from the Philippe-Chatrier central court. The PWS-4500, Sony’s new 4K live production server, is also being used in France Télévisions’ infrastructure for 4K ISO recording, provided by Video-Plus rental facility. The 4K stream will be available for CANAL+ and Eurosport subscribers, to deliver uncompromised experience to tennis enthusiasts across Europe.
Gearhouse Broadcast, a supplier of technical facilities, crew and services used to capture the world’s most watched content, has significantly enhanced its 4K rental stock with the purchase of a large quantity of the industry’s most in-demand cameras and lenses. The investment includes 36 new Sony HDC-4300 4K/HD camera channels and a large quantity of 4K and HD studio/field and ENG lenses from both Canon and Fujinon.
Double world champion Tai Woffinden insisted “there’s a lot more to come from me” after racing to his second win in three years at Warsaw’s sold-out PGE Narodowy on Saturday. The Great Britain racer topped the BOLL Warsaw FIM Speedway Grand Prix of Poland podium ahead of home hero Maciej Janowski and last year’s winner Fredrik Lindgren, with Artem Laguta finishing fourth on his first SGP appearance since 2011.
NEP Sweden, the country’s leading provider of outside broadcast and studio solutions and a division of NEP Europe, has selected XT4K ChannelMAX servers from EVS to drive the ingest, playout, slow motion replay and highlights production within its new UHD-1 OB. UHD-1 is NEP’s largest OB in Europe and features an integrated workflow of the latest UHD-4K, 1080p and HDR technologies. Later this summer, the XT4K servers will be upgraded to new XT-VIA servers as they start shipping.
4K live production rental specialist ES Broadcast Hire has taken delivery of the first Canon CJ45ex9.7B 4K lenses in Europe – and the lenses will immediately be put into use at the forthcoming Monaco F1 Grand Prix, which takes place 24-27 May.
Broadcast Solutions with Broadcast Innovation Day Seminar on HDR for Live Production on May 30, 2018
Broadcast Solutions GmbH will be hosting a Broadcast Innovation Day Seminar on "HDR for Live Production" on May 30. With an experimental set-up and presentations, the event at Hochschule der Medien Stuttgart offers the opportunity to obtain in-depth information on HDR and live production. For visitors, there are two dates available on May 30. Registration is possible following this link: http://broadcast-innovation-
HDwireless is now offering 4k wireless camera systems. This means that customer requirements for high-frequency video transmission in native 4k resolution can be met during broadcasts, events, and trade fairs. The new HDwireless HCAM system uses, among other things, the Grass Valley LDX 86N/C86N camera head and cameras from Sony, Ikegami and Panasonic, which offers a resolution of 3,840 x 2,160 pixels using Canon 4k optics. The RF transmitter encodes in H265 (HEVC) and is compatible with 3G/6G/12G SDI as well as SDI/HD SDI formats.
There are two parts of NAB – showcasing the tools for telling great video stories and, in recent years, addressing the challenge of figuring out how to distribute/monetize those stories. Since the pre– through post–production equipment, products, tools and services are where all the magic takes place by shooters, audio and video editors, colorists and other skilled specialists; we'll look at what was most exciting/promising here first. Later, we'll look at the wild changes taking place in delivering the content to the consumers' screen(s).