On March 14th TopVision, the Berlin-based OB-Van production company, presented the first live 3D HD Bundesliga football match in Germany. Nine 3D camera rigs (18 cameras in total) provided the video and Vizrt’s software generated the graphics. The Viz Trio character generator and the dual-channel Viz Engine created and synchronized graphics for the left and right eyes, creating the 3D effect.

Vizrt will introduce Viz Engine/Artist 3.3 at its booth: Hall 2, Stand B10. As a leading provider of content production tools for the digital media industry, Vizrt is committed to expanding its systems’ functionality and cost-effective workflow to maximize its customers’ creativity and investment.

Vizrt, the leading provider of production tools for the digital media industry, today announced it has teamed up with Matrox and NVIDIA to build the latest in 4K production workflows. At NABShow2015 (booth SL2417) Vizrt will demonstrate how the integration of its products can provide broadcasters with an end-to-end Ultra-HD operation.

Vizrt Ltd., a leading provider of content production tools for the digital media industry, today announced that it has formalized its strategic collaboration with Stergen Hi-Tech Ltd., as published at IBC 2010. Stergen is a developer of 2D to stereoscopic 3D video conversion software. Vizrt now offers tight integration between Stergen stereo 3D conversion software tailored to sports TV networks, sports leagues and webcasters and its own stereo 3D graphics portfolio.

While virtual sets offer limitless creative options for live 2D/3D sets, the calibration and alignment of multiple cameras with the synthetic set can be a prohibitively complex and time-consuming process. But with its industry-leading Viz Virtual Studio, Vizrt took the complexity out of setting up 2D/3D interactive virtual sets by providing an intuitive user interface and compatibility with most major camera-tracking solutions.

This weekend a worldwide premiere will arrive at screens: the first test of binocular vision in cinemas. The initiative stars Victor, the first three-dimensional optician/optometrist in history, which forms part of Viu en 3-D!, promoted by the Optician and Optometrist Association of Catalonia (COOOC), TV3 Televisió de Catalunya and the Association of Cinema Companies of Catalonia, with the approval of the School of Optometry of the Polytechnic University of Catalonia.

At IBC 2012 (Hall 3 Stand B60), leading broadcast and multiscreen systems integration company Visual Unity will launch 4K Gateway, a portable device for real-time low-latency video streaming up to 3D 4K.

Visual Impact has ordered six of the modular 4K cameras, with four sold to leading rental company 24-7 Drama and the remaining two available for immediate supply. “This is a great 4K camera from Panasonic and offers our customers a true alternative to the current large sensor cameras we stock,“ said Tim Sparrock Director of Visual Impact.

Snell Advanced Media (SAM) today announced that it has partnered with Los Angeles-based startup, Vista Studios, a Broadcast & Production facility located in the Westside Tech Hotspot, Playa Vista/Silicon Beach. The company has selected SAM’s technology for its 4K, state-of-the-art production studio. Vista Studios is a turnkey broadcast facility with four production stages, four production control rooms and a technology core that offers conversion services, routing, camera records, editing, business office space as well as playout origination. 

Vislink Technologies (Nasdaq:VISL) introduces its INCAM-HS integrated wireless camera transmitter, which is built into Sony’s new HDC-5500 4K multi-format live camera system. Vislink Technologies’ INCAM-HS provides full HEVC 4K UHD broadcast-quality encoding as well as 1080p, 1080i and 720p resolutions, plus built-in wireless camera control and HDR support. This solution is on display at the 2019 NAB Show (Vislink Booth C6008, Sony Electronics Booth C11001).

Vislink Technologies’ new low-latency HCAM 4K UHD transmitter and UltraReceiver (ULRX-LD) wireless camera solution offers single-frame end-to-end capabilities for broadcast sports and major entertainment event coverage applications. When used collaboratively, Vislink’s award-winning HCAM+ULRX solution provides less than one frame of latency when working with 4K content, making it the lowest latency, highest quality system on the market.

xG® Technology, Inc. (“xG”) (Nasdaq: XGTI, XGTIW), whose brands are recognized as the global leaders in live video communications in the broadcast, military and government markets, announces today that IMT Vislink will be demonstrating an innovative enhancement to its HCAM and UltraReceiver wireless camera solution to provide single-frame end-to-end latency for 4K UHD transmissions at IBC 2018 (Stand 1.A69).

NEP Visions has won the contract to supply host OB technical facilities for the first ever live 3D coverage of the Wimbledon lawn tennis championship. Visions will work alongside the All England Lawn Tennis Club (AELTC), Sony and CAN Communicate to deliver live 3D pictures around the world of the men’s and women’s finals matches. This prestigious project represents Visions’ first live 3D broadcast, utilising its state-of-the-art 3Gb/s Gemini OB units.

irtual reality applications are recently gaining popularity, not least due to the corona virus pandemic. In times of (post-) lockdown, it is becoming increasingly important to create new communication channels and immersive experiences that allow viewing and connecting to a distant world as if it were real—be it museum tours, concert visits or even lectures at universities. Such immersive experiences are created with the combination of ultra-high-quality video and spatial audio, together with the (remote) presentation in a large-screen immersive environment. Since 2009, the Ars Electronica Center has been offering such immersive experiences at the Deep Space 8K. Its most recent production, a virtual interactive 3D tour of Vienna’s St. Stephen’s Cathedral, will be premiered live at this year’s Ars Electronica Festival.

Vinten, a leading provider of manual and robotic camera support systems and a Vitec Videocom brand, offers the perfect solution for the 2016 sports season with the Vector 750 pan and tilt head. Providing versatile support for 4K, studio, and OB broadcast cameras and lenses, the Vinten Vector 750 is the only system that allows perfect control for large sports cameras at any resolution or frame rate, including UHD and Slow-Mo.