Results 181 - 195 from 1546 in „4K / 8K Arising”
When CCTV, China’s major public broadcaster, launched an initiative to update its OB trucks to 4K, it turned to CSS Group to supply the most suitable equipment for the station’s upgrade. For audio monitoring, CSS Group relied on its 15-year-relationship with Wohler Technologies, a leading manufacturer of video, audio and data monitoring solutions, to provide its high-quality audio signal monitoring and metering solutions. Wohler’s iAM-AUDIO, which monitors a mix of analog, digital and IP signals easily and transparently, was implemented into the truck to monitor CCTV’s various audio signals in the field.
"Professional media is a uniquely challenging field because of its real-time nature and high quality-of-service requirements, both of which consumers may take for granted," said SMPTE President Matthew Goldman, senior vice president of technology, TV and media at Ericsson. "The standardization of SMPTE ST 2110 documents provides broadcasters, producers, and media technology suppliers with the tools they need to meet these requirements while working in the IP realm."
Attendees at the annual SVG Summit on December 11-12th will get a first-hand look at the widest range of 4K HDR optics currently available. The Optical Devices Division of FUJIFILM will demonstrate its UA Series of 2/3” lenses, which include eight models designed specifically for 4K HDR broadcast and video production, in the exhibits section of the event. Also on hand at the sport’s industry flagship event will be several FUJINON 4K lens sports broadcast customers, including: Dome Productions out of Toronto; Florida-based F&F Productions; and Mobile TV Group, headquartered in Denver. Held at the New York Hilton, the SVG Summit is designed for those involved with all aspects of sports production, content creation, and distribution. The two-day event features numerous workshop tracks and exhibitors showcasing the latest technology for sports coverage.
In a new paper released today, “The Road to Enhanced Pictures: A technical guide to HDR and WCG”, Peter Schut - Axon’s CTO and VP of R&D - discusses the challenges faced by both broadcasters and manufacturers as they strive for better pixels, improved colour reproduction and a higher dynamic range.
INSIGHT TV, one of the world’s largest UHD broadcasters and producer of native UHD HDR content covering action sports, entertainment, and lifestyle, is launching its eagerly anticipated reality show THRU on the 2nd December 2017 21:00 CET, on INSIGHT TV and INSIGHT.TV. The eight-part series, which was unveiled at last month’s MIPCOM event in Cannes, will see teams of intrepid competitors’ trek through highly challenging terrain following a straight line from point-A-to-point-B.
Live broadcast specialist BSI has completed a series of live tests with the 4K version of their wireless camera system. The company aims to be the first to use a low delay 4K wireless camera system live on air at a broadcast event.
Bexel, an NEP Broadcast Services Company, has greatly expanded its 4K and HDR capabilities with the purchase of five Sony PXW-Z450 camcorders, the first 4K shoulder-style cameras to join the Bexel rental inventory. Over the next year, Bexel will increase its investment to 20 of the Sony camcorders, which will see their first use for coverage of the upcoming events in PyeongChang, South Korea.
With NHK, Japan’s national broadcaster, driving towards the delivery of 8K content via satellite by the end of next year, it’s no surprise that the use of IP networking technologies is of interest. But the interest across Japan in IP extends beyond meeting the needs of 8K as it is seen as a way to make operations more flexible and cost effective.
It’s a project of superlatives, with several millions invested in building Sky Sports’ new Headquarters and broadcast hub, just next to the head office in Unterföhring. The 4600 square metre ground hosts two new studios, as well as an additional space for the Sky Bundesliga simulcast. The new broadcast complex is equipped with a broad range of advanced Sony 4K HDR ready technologies, demonstrating what a “studio of the future” looks like; seven HDC-4300 cameras, one HDC-P43 POV-camera, one XVS-7000 mixer and over 140 Sony OLED and LCD screens, ranging from BVM-X300 and LMD-A240 to PVM-A170, PVM-A250 and PVM-X550.
LYNX Technik AG®, provider of software-defined modular interfaces for broadcast as well as professional AV and industrial signal processing applications, will be exhibiting at InterBee 2017, Hall 4, booth 4605, with its Japan-based partner, Gansui. With sophisticated 8K testing well underway and Japan’s intent to broadcast 8K by the 2020 Games, InterBee is the ideal venue and exhibition that brings the region together to continue the 4K and 8K discussion.
INSIGHT TV, the world’s largest UHD broadcaster and producer of native UHD HDR content covering action sports, entertainment, and lifestyle, has today revealed a major distribution deal with next-generation U.S. cable company Layer3 TV. This is the first 4K UHD distribution deal that INSIGHT TV has signed in the United States. The agreement means that INSIGHT TV is now available to Layer3 TV subscribers on channel 115 in Denver, Chicago, Washington, D.C., Los Angeles and Dallas in 4K UHD, launching with high-profile shows such as King of the Hammers, Life of Cards and Secrets of the Brain.
Broadcast production has evolved greatly over the past few years with no slow down in sight as viewing habits continue to move toward a more mobile society. Traditional broadcast is no longer driving the needs, and days of “black box” master control is over. The drive for more content delivered in more places and at anytime is overwhelming. One of the most challenging digital workflows is sports production. Live events, tight schedules, and increasing streams at high-resolution make it a no-compromise environment.
FIFA TV has a proud legacy of pioneering new broadcast technology at FIFA tournaments to ensure that football fans around the world can enjoy the best quality sports coverage. The 2018 FIFA World Cup Russia™ will be no different, with FIFA pushing the boundaries of sports broadcast.
To expand beyond digital video and into live production, Tencent Video required solution upgrades to meet its new content creation needs. From cameras to switchers to processors, servers and more, Grass Valley, a Belden Brand, outfitted Tencent Video’s outside broadcast truck with all the IP and 4K-capable solutions the company will need to succeed in creating enhanced live and sports programming. The new production system starts with LDX 86N Series cameras to capture high-quality images in multiple formats; the Kayenne K-Frame Video Production Center and GV Korona K-Frame V-series switchers for integrated content production; GV Node IP Processing and Routing Platform, GV Convergent IP/SDI Router Control System and IPG-3901 SDI/IP Gateway to process and route content; and T2 audio/video playout center for content distribution.
Blackmagic Design has announced that a live production solution featuring the ATEM 2 M/E Broadcast Studio 4K, Teranex Express and HyperDeck Mini is being used for video production and IMAG projection on the 2017 OneRepublic Honda Civic Tour.