Results 151 - 165 from 1553 in „4K / 8K Arising”
The agreement with SportA, the sports rights agency of German public broadcasters ARD and ZDF, grants the pay-TV operator the right to show the Match of the Day live in UHD on all tournament days. Financial details of the sublicensing deal were not disclosed. The Sky Sport UHD offer is available to all Sky subscribers in Germany who use the Sky+ Pro receiver and have an Ultra HD TV set.
At NAB2018 (booth C9815), Slomo.tv, a leading international producer of cost-effective, high performance SSD-based video record and replay systems, will launch the new Fulcrum AT/12G 4K instant replay server. Representing one of Slomo.tv’s most advanced replay server systems, this new platform offers operators 10 replay channels (four record + four search + two play). Highlighting its cost-efficiency, the company is offering Fulcrum for USD $60,000 during April 2018.
Panasonic’s AU-EVA1 is a great Super35 cine camera with excellent low light capabilities – winning wide-spread acclaim since its launch last year. Now users will be able to unlock the true potential of this amazing camera and its low noise sensor by combining it with the Atomos Shogun Inferno HDR monitor/recorder, thanks to the release of Panasonic’s free RAW output upgrade. The results take the camera to another level of performance, giving you images with maximum dynamic range in pristine quality.
Canon today announces the release of a medium, telephoto field box lens, the UJ66x9B, and three ENG/EFP broadcast lenses - the CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B. Launched under a completely new lens category, UHDgc, the models feature smooth operability, while maintaining high lens build standards.
Canon today releases its flagship full frame Cinema EOS camera, the C700 FF. Thanks to a newly developed, next generation Canon full frame 38.1 mm x 20.1mm CMOS sensor, the camera is capable of recording up to 5.9K, delivering ultimate creative freedom and quality. The EOS C700 FF also supports multi-format recording, shooting with EF, PL and anamorphic lenses. When using EF lenses, the C700 FF supports Canon’s innovative autofocus (AF) system, Dual Pixel CMOS AF, which is ideal for full frame format shooting.
Continuing to enable broadcasters and production companies to adopt Ultra HD (UHD) at their own preferred pace, Hitachi Kokusai Electric America, Ltd. (Hitachi Kokusai) today announced the CU-HD1300F-S1 HDTV camera control unit with 4K, 12G-SDI output. Transforming 1080p to Ultra HD with support for High Dynamic Range (HDR), the new CCU will be showcased alongside other HITACHI unveilings in booth C4309 at the upcoming NAB2018 (April 9-12, Las Vegas). The company also announced an optional firmware upgrade for its SK-UHD4000 4K Ultra HD camera system to enhance simultaneous HDR and Standard Dynamic Range (SDR) acquisition. New optional 12Gbps SDI output capabilities for the accompanying CU-HD4000 CCU have also been added to its existing quad-link SDI interface.
The media industry is taking a major leap towards an IP-centric future as growing market demand converges with rapid acceleration in standards, protocol and interoperability. Sony’s broadcast customers are increasingly embracing IP for its proven ability to deliver quality live HD and 4K video, audio and synchronisation signals through a single network cable and have identified IP Live Production Infrastructure in their top areas of commercial importance for the coming years.
Until now, the volume of raw data transmission required for 4K/UHD production has made wireless cameras largely impractical for live sport, event, and news applications. However, cameras equipped with DTC’s AEON-TX can now transmit 4K UHD video formats up to and including 2160p60 by taking advantage of the extremely efficient encoding technology built into the AEON-TX.
DTC Vice President, Broadcast Sales, JP Delport said, “AEON-TX is hugely cost effective because it substantially reduces bandwidth costs without compromising quality. It opens up new vistas for ultra-high resolution production.”
In September 2017 BBC Studioworks, a commercial subsidiary of the BBC, reopened its studio and post production facility at the world famous Television Centre, incorporating some of the most state-of-the-art technologies in the UK studio industry. The three studios as well as the facility’s edit suites have already played host to programming for a range of broadcasters and production companies.
CTV Outside Broadcast, a subsidiary of Euro Media Group (EMG), recently completed the refurbishment and technical upgrade of three of its large flagship OB units to Ultra-HD, featuring Axon Synapse 4K signal processing, infrastructure, control and monitoring as standard.
A history of excellent customer experience and trust in the Sony brand. The announcement at Cine Gear 2017 that Sony was planning to introduce a new full frame camera to the market was enough for camera rental service ‘Ludwig Kameraverleih GmbH’ to order two new VENICE cameras, but even before they knew what was fully on offer. There and then Ludwig Kameraverleih Gmbh signed up to purchase whatever was to be revealed, and they’re really pleased they did, now being the first to receive their VENICE cameras in Europe.
Italian production company BetaMedia delivers a range of television programming for clients including Endemol, Infront, and OBS, among others, with credits spanning “Big Brother Italy,” “Master Chef,” the Alpine Skiing World Cup, Olympics and Serie A Football Championship. The company recently joined forces with DBW to develop one of Italy’s first IP-based 4K HDR Outside Broadcast (OB) vans, the Esterna 14. To blend incoming and outgoing signals for 4K/UltraHD HDR, HD HDR and HD SDR broadcasts, BetaMedia recently invested in 24 AJA FS-HDR converters for real-time HDR and WCG conversion.
Blackmagic Design has today announced that Derby County Football Club (DCFC) has invested in a multi camera live production workflow featuring the Blackmagic Studio Camera 4K, Micro Studio Camera 4K and URSA Mini 4.6K.
Piecing together the right combination of equipment for a mobile production truck is challenging, but establishing a workflow for a 4K/UltraHD HDR truck is a whole new ball game, one that Mobile TV Group’s (MTVG) Peter Wehner excels at. As Director of Engineering, Wehner is one of the architects behind MTVG’s 30 mobile production units, which service more than 4,000 sporting and entertainment productions a year for CBS, CNBC, Fox and DIRECTV, among others. Working alongside MTVG CEO Philip Garvin, Wehner helped build out MTVG’s 53’ 4K HDR Double Expando – the first mobile production unit to deliver a live 4K/UltraHD HDR telecast in the U.S. The mobile unit houses 14 AJA FS-HDRs for real time HDR conversion and 4K/UltraHD/HD frame synchronization as well as 12 AJA FS1-Xs and 12 AJA UDCs for HD up, down, cross-conversion and frame-synching.
ES Broadcast Hire, which is home to one of Europe’s largest 4K rental fleets, has taken delivery of another wave of new UHD lenses from Canon UK. The 20 Canon CJ12ex4.3B IRSE S/IASE S lenses, 10 Canon UHD DIGISUPER 90 (UJ90X9B) lenses and 20 CJ20ex7.8B lenses ES Broadcast Hire has purchased will boost its already extensive inventory of Canon kit.