The Future of Live HDR Production
During the transition from SD to HD in the early 2000s, the skeptics had a field day bemoaning the new technology when images were viewed in ‘non-optimal' circumstances. This is even more true today with UHDTV. Many people have already seen UHDTV, and to the untrained eye, they don’t see any difference. If you’re going to do UHD, you’ve got to do it well at every step of the production. Resolution alone will not deliver the ‘wow-factor' to a production; you have to include wide color gamut (WCG), high dynamic range (HDR) and immersive audio, along with enough bandwidth into the home. Cut any of those corners and the skeptics will complain that they don’t see the point.
Moderated by Sports Video Group and featuring:
- Chris Seeger, Office of the CTO, Director, Advanced Content Production Technology, NBC Universal
- Ken Kerschbaumer, Editorial Director, Sports Video Group
- Kevin Salvidge, European Regional Development Manager, Leader
- Michael Drazin, Director Production Engineering and Technology, NBC Olympics
- Pablo Garcia Soriano, Colour Supervisor, Managing Director, CROMORAMA
- Prinyar Boon, Product Manager, SMPTE Fellow, PHABRIX
So, what does the future of live HDR production look like for you? Join the seminar on 13 May to find out. Featuring some of the most notable talent and engineers in the HDR production space, this is sure to be a high-impact, practical 45-minute session that will give you an inside look at the future of live HDR production.