Results 16 - 30 from 16604 in „News”
Today, Ross Video, a leader in smart production, announced the addition of native IP support for Acuity, the company's most powerful production switcher, and Carbonite Black, the world's most popular mid-size production switcher at the SVG Summit in New York. Named AcuityIP and CarboniteIP respectively, both switchers are now able to seamlessly interface to standards-based SMPTE ST 2110 and ST 2022-6 infrastructures, making them ideal for customers planning COTS-based AIMS-compliant IP facilities.
A Calrec Audio Artemis Light is the audio mixing engine aboard High Rock Mobile Television's first-ever production truck, High Rock 1. The 40-foot, dual-expando vehicle is designed to offer big-truck production capabilities in a smaller footprint, with Artemis providing superior sound quality, reliability, and seamless networking via Hydra2. Bennett Engineering sourced the Artemis and provided installation and integration for all systems in High Rock 1, which was manufactured by Gerling and Associates.
Lawo, German manufacturer of pioneering IP audio, video and control infrastructure solutions, is once again expanding its US operations, adding personnel and opening a new support and logistics hub in Elmsford, New York.
Standard-setting remote production company American Mobile has further expanded its arsenal of tools from Focusrite’s RedNet range of Dante™-networked audio converters and interfaces, acting as the signal-transport backbone of its portable systems. Last year, American Mobile invested in its first RedNet hardware to eliminate long analog cable runs from stage. This lightened the travel load while improving quality with renowned Focusrite mic pre’s onstage digitally interfaced with American Mobile’s digital consoles and DAW systems. American Mobile has now configured three identical systems for remote use.
With over 15 years in business, Stage Sound Services (SSS) is a well-established rental company, providing technical solutions for sound and video projects for large-scale musical theatre productions and corporate events. The company has recently invested in Sennheiser’s new Digital 6000 microphone system, siting it as the perfect solution in today’s crowded RF environment.
HDwireless RF1 acts as the interface between wireless camera systems and OB trucks for broadcast productions. All signals coming from the entire radio system are received in the truck and then transferred to the broadcaster following signal conversion and decoding. Recently, the video technology in the production vehicle has been developed further to encompass the universal 3G-SDI standard and so that it is suitable for 4k settings.
When mainstream media reviews are making comments about a show’s technical production, you know it has had serious impact! The full-tilt sonic maelstrom of Enter Shikari’s recent UK tour made so much landfall that no-one escaped the raw and visceral onslaught.
Further expanding the industry-leading line of production switchers from Grass Valley, a Belden Brand, the new GV K-Frame X Video Processing Engine builds upon the power, performance and flexibility of the current K-Frame by providing customers the added versatility of all SDI, all IP, or mixed SDI and IP board configurations, with no loss of I/O density or production creativity when switching between these formats. The company introduced the GV K-Frame X this week at the 12th annual SVG Summit in New York City.
BFE Studio und Medien Systeme GmbH in Mainz, Germany hired Scott Lührs to join their management team from December 1st, 2017. Effective immediately he is the new head of the division KSC Controller Systems making him responsible for BFE‘s innovative broadcast control and monitoring solutions such as KSC CORE and KSC SILKNET as well as the team for project based software development.
Ross Video is a force to be reckoned with in the game day sports venue production space, powering many of the major sports franchise facilities around the world, including 58% of NFL venues in the US, and 45% of combined US venues for MLB, NBA, NFL, NHL and MLS. Two recent projects that highlight Ross Video’s technical ability to consistently delight fans include the impressive “Halo Board” display at Mercedes-Benz Stadium (MBS) – home of the the Atlanta Falcons and United FC – and the game-day graphics and ribbon boards used at the Adelaide Oval in Australia.
2017 Katy Perry’s “Witness: The Tour” is more than just a concert production; it’s a kooky and creative journey that includes dancing eyeballs, giant insects, a massive inflatable hand and even a flight through space, courtesy of Saturn. It all reflects Perry’s personality, and it should, since Perry is directly involved in the design. “Katy’s productions are always amazing, and she invariably has something new and challenging to achieve.
“One of the best show’s our team has ever done!” … declared production designer and show director Gabe Fraboni after two recent incendiary performances by hugely popular Dutch DJ and music producer Martin Garrix at Amsterdam’s RAI, both bathed in production awesomeness with nearly 300 Robe moving lights on the rig, including 50 brand new MegaPointes.
"Professional media is a uniquely challenging field because of its real-time nature and high quality-of-service requirements, both of which consumers may take for granted," said SMPTE President Matthew Goldman, senior vice president of technology, TV and media at Ericsson. "The standardization of SMPTE ST 2110 documents provides broadcasters, producers, and media technology suppliers with the tools they need to meet these requirements while working in the IP realm."
ChyronHego today released version 2.6 of PRIME Graphics, the 64-bit, all-software rendering engine that powers the company's popular, high-performance PRIME graphics platform. PRIME Graphics 2.6 includes an array of enhancements ranging from 16-bit color and full, 10-bit I/O to a new Scene Camera effect, additional codecs for recording inputs, and advanced touch-screen features.
The show at the MTV Europe Music Awards (EMA) may well be the biggest music and video extravaganza in Europe. United is in charge of recording this unique event, which this year was broadcast in both HD and UHD. Time to go behind the scenes at the awards show in the SSE Arena, London.