In a new paper released today, “The Road to Enhanced Pictures: A technical guide to HDR and WCG”, Peter Schut - Axon’s CTO and VP of R&D - discusses the challenges faced by both broadcasters and manufacturers as they strive for better pixels, improved colour reproduction and a higher dynamic range. 

Attendees at the annual SVG Summit on December 11-12^th will get a first-hand look at the widest range of 4K HDR optics currently available. The Optical Devices Division of FUJIFILM will demonstrate its UA Series of 2/3” lenses, which include eight models designed specifically for 4K HDR broadcast and video production, in the exhibits section of the event. Also on hand at the sport’s industry flagship event will be several FUJINON 4K lens sports broadcast customers, including: Dome Productions out of Toronto; Florida-based F&F Productions; and Mobile TV Group, headquartered in Denver. Held at the New York Hilton, the SVG Summit is designed for those involved with all aspects of sports production, content creation, and distribution. The two-day event features numerous workshop tracks and exhibitors showcasing the latest technology for sports coverage.

"Professional media is a uniquely challenging field because of its real-time nature and high quality-of-service requirements, both of which consumers may take for granted," said SMPTE President Matthew Goldman, senior vice president of technology, TV and media at Ericsson. "The standardization of SMPTE ST 2110 documents provides broadcasters, producers, and media technology suppliers with the tools they need to meet these requirements while working in the IP realm."

When CCTV, China’s major public broadcaster, launched an initiative to update its OB trucks to 4K, it turned to CSS Group to supply the most suitable equipment for the station’s upgrade. For audio monitoring, CSS Group relied on its 15-year-relationship with Wohler Technologies, a leading manufacturer of video, audio and data monitoring solutions, to provide its high-quality audio signal monitoring and metering solutions. Wohler’s iAM-AUDIO, which monitors a mix of analog, digital and IP signals easily and transparently, was implemented into the truck to monitor CCTV’s various audio signals in the field.

Ikegami, a leading manufacturer of specialised cameras, image processing and transmission equipment, will bring its latest broadcast product line at CABSAT 2018, taking place 14^th – 16^th January at the Dubai World Trade Centre, UAE.

With the first four documents in the SMPTE ST 2110 standards suite published, you need a solid foundation and working knowledge of the essential principles of IP video and audio transport for production and broadcasting facilities. The new standards are essential to working with media over IP networks in real-time, and they are fundamental to the industry's migration to all-IP operations.The impact of SMPTE ST 2110 goes beyond just replacing SDI with IP. The standards suite provides media professionals with the flexibility to develop and implement a whole new set of applications that leverage IT protocols and infrastructure. Media organizations and technology suppliers have already embraced SMPTE ST 2110, and products that support the standards suite are on the market now.
Get ahead by enrolling in one of these SMPTE Virtual Classroom courses today!

To provide the European and global rental markets with better access to the latest 4K-enabled production equipment, broadcast service provider BNC GmbH has purchased eight XT4K servers and two DYVI live production switchers from EVS, the leading provider of live production technology.

In August, 12,000 athletes representing universities from around the world gathered in Taipei for the 2017 Summer Universiade. Organized by the International University Sports Federation (FISU), Universiade is the college equivalent of the Olympics, where the highest performing college athletes compete in a range of disciplines from basketball to gymnastics, badminton and beyond. Highlights from each competition this year were broadcast live to TV stations, like Chinese Television System (CTS), distributed via satellite and streamed live on Universiade’s website. The event marked one of the earliest large scale UltraHD sports broadcasts in Asia, with the opening and closing ceremonies broadcast live in UltraHD using AJA technology.  

LYNX Technik AG^®, provider of software-defined modular interfaces for broadcast as well as professional AV and industrial signal processing applications, announced that its highly anticipated greenMachine titan platform with 12G processing for 4K/UHD productions is now shipping worldwide.

Ikegami, has always been at the cutting edge, whilst still holding its reputation of being reliable and robust. In 2016, Ikegami introduced its UHK-430 camera, the world’s first camera with the ability to output an uncompressed 4:4:4 resolution RGB transmission of a 4K video signal.

On 2^nd December, Arena TV deployed Domo Broadcast’s AEON 4K transmitter (AEON-TX) coupled with a camera control and fibre system designed and provided by VideoSys to help broadcast a Premier League match between Arsenal and Manchester United at Emirates Stadium, London.

The accelerating demand for UHD and HDR has until now been hampered by the limited ability of wireless-equipped cameras to transmit vast volumes of raw data, making them almost useless for covering live sport, events, and news in 4K. However, by taking advantage of the extremely efficient, ultra-low delay HEVC SD, HD, and 4K encoding technology built into the AEON-TX transmitter, operators in any wireless application can now transmit 4K UHD video formats up to and including 2160p60.

Panasonic today release their new GH5S mirrorless camera with amazing low light capabilities. Unleash its full capability by combining it with the Atomos Ninja Inferno 4K monitor / recorder - recording up to DCI 4Kp60 10-bit 4:2:2 over HDMI 2.0 directly into production-ready Apple ProRes or Avid DNxHR on SSD drives.

Panasonic initially provided RTS with the AJ-PX 270 Micro P2 to test along with models from competing brands, to replace their ageing equipment. The field reporters on the RTS editorial team had been using the same camcorders for six years, so when it came time to replace them three years ago, the network launched its first call for bids.

Shanghai Media Tech runs the full gamut of production activities: pre-production, broadcast, post-production, network operation and maintenance, application development of new media and more. To match its breadth and depth of services, the China-based media company chose Grass Valley, a Belden Brand, to provide a fully comprehensive, total 4K/IP solution for its OB van and EFP systems. Shanghai Media Tech’s mobile production units are equipped for any live program or sports event as Asia’s largest all IP, 4K UHD OB vans.