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Germany’s “Wetten, dass...?” TV Show Counts on HES for Entertainment Value

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(04/02/2012)

Production Designer Manfred Voss, prefers not to play games when it comes to his lighting and control. He plays a winning hand by using High End Systems, a Barco company, products. For 20 years, Voss has been with the popular German TV game show, “Wetten, dass..?” (which translates as “Wanna bet that...?”) counts on ordinary people performing outlandish tasks for its entertainment value.

DPA’s d:fineTM Headset Mics Do Time in Prison Musical

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(01/02/2012)

DPA’s new d:fineTM headset microphones have been used for the musical Lelies, a Judas Theaterproducties production at the Antwerp Fakkeltheater.

EMF the home of The Voice

This article is listed in: News >> Shows

(01/02/2012)

EMF is providing the technical services for the new entertainment show on TF1: The Voice, la plus belle voix. From the OB truck XL1 to sets L1 and L2 at the Lendit studios, with the management of thirty or so personnel and 16 cameras (including 2 camera booms and 1 Steadicam - Mathieu Caudroy), Euro Media France is providing Shine France with the best of its know-how.

grandMA2 and MA VPU vote for Miss South Africa and Miss Teen

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(31/01/2012)

For the second consecutive year, Dreamsets provided the full technical production for Miss South Africa and Miss Teen held at Sun City’s Superbowl venue. Lighting Designer from the company, Mauritz Jacobs, has worked on the show at least five times before, and for this year’s edition, he used a grandMA2 full-size as well as an MA VPU plus (Video Processing Unit).

Katy Perry Relies on DPA’s Headset Mics for California Dreams Tour

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(30/01/2012)

Katy Perry’s engineering team relies on DPA Microphones’ 4088 cardioid headsets for all the pop superstar’s live performances, including her current California Dreams world tour. With the fast-paced, high-action set mechanics of the tour, Perry’s front-of-house engineer Peter Keppler needed a mic that could adapt to any situation. The smooth design of the DPA 4088, which makes the mic almost invisible, combined with its ability to eliminate feedback and background noise, make it the ideal choice for a high-octane tour like Perry’s.

Sennheiser’s Feeling Fine At O2’s Silent Session

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(26/01/2012)

December saw the chance for over 100 up-and-coming bands to reach a potentially huge audience as London’s O2 ran its December Sessions music programme, giving music fans the opportunity to enjoy 20 nights of live music at no cost. With Sennheiser equipment featuring on every show, one unique performance saw the company unusually embracing the sound of silence.

Crystal Hall Approved as Eurovision 2012 Venue

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(26/01/2012)

The EBU announces today that the 2012 Eurovision Song Contest will take place at the newly constructed Baku Crystal Hall. The Eurovision Song Contest Reference Group, the governing body of the Contest on behalf of the European Broadcasting Union (EBU), approved the venue proposed by the Host Broadcaster, Ictimai TV.

Martin Audio MLA Boosts Brixton for Rock Legends

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(23/01/2012)

When Brixton Academy was built in art deco style during the cinema boom of the late 1920’s it never expected to be hosting high-octane rock bands like American supergroup, Chickenfoot (led by former Van Halen legend Sammy Hagar).

Vinten Supports New Season of “Are We There Yet?”

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(17/01/2012)

When cinematographer Bill Berner began to gear up for the new season of the multi-camera comedy “Are We There Yet?” he said it was a no brainer, that Vinten, a Vitec Group brand, would be his support of choice.

On the Winning Side: grandMA2 Joins 12th Latin Grammy Awards

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(13/01/2012)

grandMA2 took on a Spanish accent for the 12th Annual Latin Grammy Awards telecast live on the Univision Network from the Mandalay Bay Events Center in Las Vegas. Pennsylvania-based Atomic Lighting provided 3 x grandMA2 light consoles with 3 x grandMA2 fader wings to control the show’s lighting and another 2 x grandMA2 full-size consoles to run 16 universes of Art-Net for the video content. Fifty Clay Paky Sharpy formed part of the lighting inventory. Carlos Colina was the lighting designer of the show.