General Contact

All Mobile Video
Eric Duke Production Manager

221 West 26th Street US- 10001 New York United States

http://www.allmobilevideo.com +1 212 727 1234 (work) +1 212 255 6644 (fax)

Contact Persons

Lenny Laxer Production Manager

221 West 26th Street US- 10001 New York

http://www.allmobilevideo.com +1 212 727 1234 (work) +1 212 255 6644 (fax)

Tom D'Angelo Production Manager

221 West 26th Street US- 10001 New York

http://www.allmobilevideo.com +1 212 727 1234 (work) +1 212 255 6644 (fax)

AMV Epic

Top View Layout

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Technical Synopsis

GENERAL

Name of Truck
Epic 3D
Maximum of Cameras
18
Maximum of Recording Positions
10
HD Formats
  • 720p
  • 1080i
  • 1080p
Length (m)
16.15
Width (m)
2.56
Width Expanded (m)
4.1
Height (m)
4.14
Voltage (V)
  • 220/240
System Integrator
Sony Professional USA

PRODUCTION

Vision Mixer - Production 1
1x MVS-8000 (Sony)
DVE - Production 1
1x MVE-9000 (Sony)

VISION CONTROL

Cameras
  • 4x HDC-1000 (Sony)
  • 10x HDC-1500 (Sony)
  • 4x HDC-P1 (Sony)
3D Rigs
3flex (3ality)
Monitor Lines
54
Displays
  • 4x 23" BVM-L230 (Sony)
  • 6x 26" LMD (Sony)
  • 4x 32" LMD (Sony)
Multiviewers/Splitters
Kaleido X16 3D (Miranda)
Digital Glue
Densite Series (Miranda)
Video Matrix
1x Cheetah (Pesa)

VIDEO RECORDING

VTRs
  • 4x HDW-M2000 (Sony)
  • 2x SRW-5800 (Sony)
HardDisks
4x LSM XT3 (EVS)

AUDIO RECORDING

Audio Mixer
1x Vista 8 (Studer)

INTERCOM

Intercom Matrix
1x Artist (Riedel)

SPECIAL FEATURES

*
Formats:
Stereoscopic 3D (S3D) 1920x1080 progressive or interlaced HD production at 23.98p, 24p, 29.97p, 50i and 60i frames per second. Dual-link (left eye / right eye all to one tape) with standard 422 color sampling to HDCAM SR tape. 720/60p also available.
Monoscopic (normal, 2D) High Definition is available at 1920x1080 resolution at up to 60P (progressive frames) per second with standard 422 color sampling.
The Epic 3D truck is uniquely capable of monoscopic 3G HD recording with the improved color recording of 444 color sampling at 23.98p, 24p, 29.97p, 50i and 60i frame rates. In a standard high definition 422 recording half of the color information seen is discarded before recording. 444 color sampling facilitates the recording of the color information which would otherwise be eliminated. This HDCAM SR 444 recording facilitates a more accurate color recording with subtle color pallette changes that standard 422 HD cannot duplicate.

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